# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Romeo and Juliet
[I, 1]

Gregory

34

The quarrel is between our masters and us their men.

2

Romeo and Juliet
[I, 1]

Sampson

51

Let us take the law of our sides; let them begin.

3

Romeo and Juliet
[I, 1]

Abraham

57

Do you bite your thumb at us, sir?

4

Romeo and Juliet
[I, 1]

Abraham

59

Do you bite your thumb at us, sir?

5

Romeo and Juliet
[I, 1]

Romeo

258

'Tis the way
To call hers exquisite, in question more:
These happy masks that kiss fair ladies' brows
Being black put us in mind they hide the fair;
He that is strucken blind cannot forget
The precious treasure of his eyesight lost:
Show me a mistress that is passing fair,
What doth her beauty serve, but as a note
Where I may read who pass'd that passing fair?
Farewell: thou canst not teach me to forget.

6

Romeo and Juliet
[I, 4]

Benvolio

499

The date is out of such prolixity:
We'll have no Cupid hoodwink'd with a scarf,
Bearing a Tartar's painted bow of lath,
Scaring the ladies like a crow-keeper;
Nor no without-book prologue, faintly spoke
After the prompter, for our entrance:
But let them measure us by what they will;
We'll measure them a measure, and be gone.

7

Romeo and Juliet
[I, 4]

Benvolio

606

This wind, you talk of, blows us from ourselves;
Supper is done, and we shall come too late.

8

Romeo and Juliet
[II, 1]

Mercutio

805

Nay, I'll conjure too.
Romeo! humours! madman! passion! lover!
Appear thou in the likeness of a sigh:
Speak but one rhyme, and I am satisfied;
Cry but 'Ay me!' pronounce but 'love' and 'dove;'
Speak to my gossip Venus one fair word,
One nick-name for her purblind son and heir,
Young Adam Cupid, he that shot so trim,
When King Cophetua loved the beggar-maid!
He heareth not, he stirreth not, he moveth not;
The ape is dead, and I must conjure him.
I conjure thee by Rosaline's bright eyes,
By her high forehead and her scarlet lip,
By her fine foot, straight leg and quivering thigh
And the demesnes that there adjacent lie,
That in thy likeness thou appear to us!

9

Romeo and Juliet
[II, 3]

Romeo

1117

Then plainly know my heart's dear love is set
On the fair daughter of rich Capulet:
As mine on hers, so hers is set on mine;
And all combined, save what thou must combine
By holy marriage: when and where and how
We met, we woo'd and made exchange of vow,
I'll tell thee as we pass; but this I pray,
That thou consent to marry us to-day.

10

Romeo and Juliet
[II, 3]

Romeo

1155

O, let us hence; I stand on sudden haste.

11

Romeo and Juliet
[II, 4]

Mercutio

1198

Without his roe, like a dried herring: flesh, flesh,
how art thou fishified! Now is he for the numbers
that Petrarch flowed in: Laura to his lady was but a
kitchen-wench; marry, she had a better love to
be-rhyme her; Dido a dowdy; Cleopatra a gipsy;
Helen and Hero hildings and harlots; Thisbe a grey
eye or so, but not to the purpose. Signior
Romeo, bon jour! there's a French salutation
to your French slop. You gave us the counterfeit
fairly last night.

12

Romeo and Juliet
[II, 4]

Mercutio

1226

Come between us, good Benvolio; my wits faint.

13

Romeo and Juliet
[II, 6]

Friar Laurence

1459

So smile the heavens upon this holy act,
That after hours with sorrow chide us not!

14

Romeo and Juliet
[II, 6]

Friar Laurence

1481

Romeo shall thank thee, daughter, for us both.

15

Romeo and Juliet
[III, 1]

Mercutio

1537

And but one word with one of us? couple it with
something; make it a word and a blow.

16

Romeo and Juliet
[III, 1]

Mercutio

1543

Consort! what, dost thou make us minstrels? an
thou make minstrels of us, look to hear nothing but
discords: here's my fiddlestick; here's that shall
make you dance. 'Zounds, consort!

17

Romeo and Juliet
[III, 1]

Benvolio

1547

We talk here in the public haunt of men:
Either withdraw unto some private place,
And reason coldly of your grievances,
Or else depart; here all eyes gaze on us.

18

Romeo and Juliet
[III, 1]

Mercutio

1601

No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.

19

Romeo and Juliet
[III, 5]

Juliet

2123

It is, it is: hie hence, be gone, away!
It is the lark that sings so out of tune,
Straining harsh discords and unpleasing sharps.
Some say the lark makes sweet division;
This doth not so, for she divideth us:
Some say the lark and loathed toad change eyes,
O, now I would they had changed voices too!
Since arm from arm that voice doth us affray,
Hunting thee hence with hunt's-up to the day,
O, now be gone; more light and light it grows.

20

Romeo and Juliet
[III, 5]

Capulet

2248

Soft! take me with you, take me with you, wife.
How! will she none? doth she not give us thanks?
Is she not proud? doth she not count her blest,
Unworthy as she is, that we have wrought
So worthy a gentleman to be her bridegroom?