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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
Othello
[I, 1] |
Iago |
158 |
Farewell; for I must leave you:
It seems not meet, nor wholesome to my place,
To be produced—as, if I stay, I shall—
Against the Moor: for, I do know, the state,
However this may gall him with some cheque,
Cannot with safety cast him, for he's embark'd
With such loud reason to the Cyprus wars,
Which even now stand in act, that, for their souls,
Another of his fathom they have none,
To lead their business: in which regard,
Though I do hate him as I do hell-pains.
Yet, for necessity of present life,
I must show out a flag and sign of love,
Which is indeed but sign. That you shall surely find him,
Lead to the Sagittary the raised search;
And there will I be with him. So, farewell.
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2 |
Othello
[II, 1] |
Iago |
930 |
There's none so foul and foolish thereunto,
But does foul pranks which fair and wise ones do.
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3 |
Othello
[II, 1] |
Iago |
1019 |
Lay thy finger thus, and let thy soul be instructed.
Mark me with what violence she first loved the Moor,
but for bragging and telling her fantastical lies:
and will she love him still for prating? let not
thy discreet heart think it. Her eye must be fed;
and what delight shall she have to look on the
devil? When the blood is made dull with the act of
sport, there should be, again to inflame it and to
give satiety a fresh appetite, loveliness in favour,
sympathy in years, manners and beauties; all which
the Moor is defective in: now, for want of these
required conveniences, her delicate tenderness will
find itself abused, begin to heave the gorge,
disrelish and abhor the Moor; very nature will
instruct her in it and compel her to some second
choice. Now, sir, this granted,—as it is a most
pregnant and unforced position—who stands so
eminent in the degree of this fortune as Cassio
does? a knave very voluble; no further
conscionable than in putting on the mere form of
civil and humane seeming, for the better compassing
of his salt and most hidden loose affection? why,
none; why, none: a slipper and subtle knave, a
finder of occasions, that has an eye can stamp and
counterfeit advantages, though true advantage never
present itself; a devilish knave. Besides, the
knave is handsome, young, and hath all those
requisites in him that folly and green minds look
after: a pestilent complete knave; and the woman
hath found him already.
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4 |
Othello
[III, 1] |
First Musician |
1565 |
We have none such, sir.
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5 |
Othello
[III, 3] |
Iago |
1773 |
Men should be what they seem;
Or those that be not, would they might seem none!
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6 |
Othello
[IV, 2] |
Desdemona |
2833 |
No, as I am a Christian:
If to preserve this vessel for my lord
From any other foul unlawful touch
Be not to be a strumpet, I am none.
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7 |
Othello
[IV, 2] |
Desdemona |
2861 |
I have none: do not talk to me, Emilia;
I cannot weep; nor answer have I none,
But what should go by water. Prithee, tonight
Lay on my bed my wedding sheets: remember;
And call thy husband hither.
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8 |
Othello
[IV, 2] |
Desdemona |
2888 |
I do not know; I am sure I am none such.
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9 |
Othello
[IV, 2] |
Roderigo |
2958 |
With nought but truth. I have wasted myself out of
my means. The jewels you have had from me to
deliver to Desdemona would half have corrupted a
votarist: you have told me she hath received them
and returned me expectations and comforts of sudden
respect and acquaintance, but I find none.
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10 |
Othello
[IV, 2] |
Iago |
2995 |
O, no; he goes into Mauritania and takes away with
him the fair Desdemona, unless his abode be
lingered here by some accident: wherein none can be
so determinate as the removing of Cassio.
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11 |
Othello
[V, 1] |
Cassio |
3265 |
None in the world; nor do I know the man.
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