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A proper man, as one shall see in a summer's day.

      — A Midsummer Night's Dream, Act I Scene 2

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KEYWORD: ha

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Much Ado about Nothing
[II, 1]

Benedick

586

Alas, poor hurt fowl! now will he creep into sedges.
But that my Lady Beatrice should know me, and not
know me! The prince's fool! Ha? It may be I go
under that title because I am merry. Yea, but so I
am apt to do myself wrong; I am not so reputed: it
is the base, though bitter, disposition of Beatrice
that puts the world into her person and so gives me
out. Well, I'll be revenged as I may.

2

Much Ado about Nothing
[II, 3]

Benedick

819

I know that; but I would have thee hence, and here again.
[Exit Boy]
I do much wonder that one man, seeing how much
another man is a fool when he dedicates his
behaviors to love, will, after he hath laughed at
such shallow follies in others, become the argument
of his own scorn by failing in love: and such a man
is Claudio. I have known when there was no music
with him but the drum and the fife; and now had he
rather hear the tabour and the pipe: I have known
when he would have walked ten mile a-foot to see a
good armour; and now will he lie ten nights awake,
carving the fashion of a new doublet. He was wont to
speak plain and to the purpose, like an honest man
and a soldier; and now is he turned orthography; his
words are a very fantastical banquet, just so many
strange dishes. May I be so converted and see with
these eyes? I cannot tell; I think not: I will not
be sworn, but love may transform me to an oyster; but
I'll take my oath on it, till he have made an oyster
of me, he shall never make me such a fool. One woman
is fair, yet I am well; another is wise, yet I am
well; another virtuous, yet I am well; but till all
graces be in one woman, one woman shall not come in
my grace. Rich she shall be, that's certain; wise,
or I'll none; virtuous, or I'll never cheapen her;
fair, or I'll never look on her; mild, or come not
near me; noble, or not I for an angel; of good
discourse, an excellent musician, and her hair shall
be of what colour it please God. Ha! the prince and
Monsieur Love! I will hide me in the arbour.

3

Much Ado about Nothing
[II, 3]

Don Pedro

897

Ha, no, no, faith; thou singest well enough for a shift.

4

Much Ado about Nothing
[II, 3]

Benedick

1064

Ha! 'Against my will I am sent to bid you come in
to dinner;' there's a double meaning in that 'I took
no more pains for those thanks than you took pains
to thank me.' that's as much as to say, Any pains
that I take for you is as easy as thanks. If I do
not take pity of her, I am a villain; if I do not
love her, I am a Jew. I will go get her picture.

5

Much Ado about Nothing
[III, 3]

Dogberry

1399

Ha, ha, ha! Well, masters, good night: an there be
any matter of weight chances, call up me: keep your
fellows' counsels and your own; and good night.
Come, neighbour.

6

Much Ado about Nothing
[IV, 1]

Benedick

1661

How now! interjections? Why, then, some be of
laughing, as, ah, ha, he!

7

Much Ado about Nothing
[IV, 1]

Benedick

1941

Ha! not for the wide world.

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