# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Benedick

170

I can see yet without spectacles and I see no such
matter: there's her cousin, an she were not
possessed with a fury, exceeds her as much in beauty
as the first of May doth the last of December. But I
hope you have no intent to turn husband, have you?

2

Much Ado about Nothing
[II, 1]

Beatrice

458

The fault will be in the music, cousin, if you be
not wooed in good time: if the prince be too
important, tell him there is measure in every thing
and so dance out the answer. For, hear me, Hero:
wooing, wedding, and repenting, is as a Scotch jig,
a measure, and a cinque pace: the first suit is hot
and hasty, like a Scotch jig, and full as
fantastical; the wedding, mannerly-modest, as a
measure, full of state and ancientry; and then comes
repentance and, with his bad legs, falls into the
cinque pace faster and faster, till he sink into his grave.

3

Much Ado about Nothing
[II, 3]

Balthasar

882

Sigh no more, ladies, sigh no more,
Men were deceivers ever,
One foot in sea and one on shore,
To one thing constant never:
Then sigh not so, but let them go,
And be you blithe and bonny,
Converting all your sounds of woe
Into Hey nonny, nonny.
Sing no more ditties, sing no moe,
Of dumps so dull and heavy;
The fraud of men was ever so,
Since summer first was leafy:
Then sigh not so, &c.

4

Much Ado about Nothing
[II, 3]

Leonato

1011

Nay, that's impossible: she may wear her heart out first.

5

Much Ado about Nothing
[III, 2]

Claudio

1222

You must hang it first, and draw it afterwards.

6

Much Ado about Nothing
[III, 3]

Dogberry

1330

First, who think you the most desertless man to be
constable?

7

Much Ado about Nothing
[III, 3]

Borachio

1456

Not so, neither: but know that I have to-night
wooed Margaret, the Lady Hero's gentlewoman, by the
name of Hero: she leans me out at her mistress'
chamber-window, bids me a thousand times good
night,—I tell this tale vilely:—I should first
tell thee how the prince, Claudio and my master,
planted and placed and possessed by my master Don
John, saw afar off in the orchard this amiable encounter.

8

Much Ado about Nothing
[III, 3]

Borachio

1465

Two of them did, the prince and Claudio; but the
devil my master knew she was Margaret; and partly
by his oaths, which first possessed them, partly by
the dark night, which did deceive them, but chiefly
by my villany, which did confirm any slander that
Don John had made, away went Claudio enraged; swore
he would meet her, as he was appointed, next morning
at the temple, and there, before the whole
congregation, shame her with what he saw o'er night
and send her home again without a husband.

9

Much Ado about Nothing
[IV, 1]

Benedick

1948

We'll be friends first.

10

Much Ado about Nothing
[IV, 2]

Dogberry

1999

Write down, that they hope they serve God: and
write God first; for God defend but God should go
before such villains! Masters, it is proved already
that you are little better than false knaves; and it
will go near to be thought so shortly. How answer
you for yourselves?

11

Much Ado about Nothing
[V, 1]

Antonio

2155

He shall kill two of us, and men indeed:
But that's no matter; let him kill one first;
Win me and wear me; let him answer me.
Come, follow me, boy; come, sir boy, come, follow me:
Sir boy, I'll whip you from your foining fence;
Nay, as I am a gentleman, I will.

12

Much Ado about Nothing
[V, 1]

Don Pedro

2293

First, I ask thee what they have done; thirdly, I
ask thee what's their offence; sixth and lastly, why
they are committed; and, to conclude, what you lay
to their charge.

13

Much Ado about Nothing
[V, 1]

Claudio

2322

Sweet Hero! now thy image doth appear
In the rare semblance that I loved it first.

14

Much Ado about Nothing
[V, 2]

Benedick

2429

And therefore will come.
[Exit MARGARET]
[Sings]
The god of love,
That sits above,
And knows me, and knows me,
How pitiful I deserve,—
I mean in singing; but in loving, Leander the good
swimmer, Troilus the first employer of panders, and
a whole bookful of these quondam carpet-mangers,
whose names yet run smoothly in the even road of a
blank verse, why, they were never so truly turned
over and over as my poor self in love. Marry, I
cannot show it in rhyme; I have tried: I can find
out no rhyme to 'lady' but 'baby,' an innocent
rhyme; for 'scorn,' 'horn,' a hard rhyme; for,
'school,' 'fool,' a babbling rhyme; very ominous
endings: no, I was not born under a rhyming planet,
nor I cannot woo in festival terms.
[Enter BEATRICE]
Sweet Beatrice, wouldst thou come when I called thee?

15

Much Ado about Nothing
[V, 2]

Benedick

2459

Thou hast frighted the word out of his right sense,
so forcible is thy wit. But I must tell thee
plainly, Claudio undergoes my challenge; and either
I must shortly hear from him, or I will subscribe
him a coward. And, I pray thee now, tell me for
which of my bad parts didst thou first fall in love with me?

16

Much Ado about Nothing
[V, 2]

Beatrice

2465

For them all together; which maintained so politic
a state of evil that they will not admit any good
part to intermingle with them. But for which of my
good parts did you first suffer love for me?

17

Much Ado about Nothing
[V, 4]

Benedick

2675

First, of my word; therefore play, music. Prince,
thou art sad; get thee a wife, get thee a wife:
there is no staff more reverend than one tipped with horn.