# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Merchant of Venice
[I, 3]

Bassanio

374

Shylock, do you hear?

2

Merchant of Venice
[I, 3]

Shylock

392

I had forgot; three months; you told me so.
Well then, your bond; and let me see; but hear you;
Methought you said you neither lend nor borrow
Upon advantage.

3

Merchant of Venice
[I, 3]

Shylock

464

Why, look you, how you storm!
I would be friends with you and have your love,
Forget the shames that you have stain'd me with,
Supply your present wants and take no doit
Of usance for my moneys, and you'll not hear me:
This is kind I offer.

4

Merchant of Venice
[II, 2]

Bassanio

745

Why then you must. But hear thee, Gratiano;
Thou art too wild, too rude and bold of voice;
Parts that become thee happily enough
And in such eyes as ours appear not faults;
But where thou art not known, why, there they show
Something too liberal. Pray thee, take pain
To allay with some cold drops of modesty
Thy skipping spirit, lest through thy wild behavior
I be misconstrued in the place I go to,
And lose my hopes.

5

Merchant of Venice
[II, 2]

Gratiano

755

Signior Bassanio, hear me:
If I do not put on a sober habit,
Talk with respect and swear but now and then,
Wear prayer-books in my pocket, look demurely,
Nay more, while grace is saying, hood mine eyes
Thus with my hat, and sigh and say 'amen,'
Use all the observance of civility,
Like one well studied in a sad ostent
To please his grandam, never trust me more.

6

Merchant of Venice
[II, 5]

Shylock

876

What, are there masques? Hear you me, Jessica:
Lock up my doors; and when you hear the drum
And the vile squealing of the wry-neck'd fife,
Clamber not you up to the casements then,
Nor thrust your head into the public street
To gaze on Christian fools with varnish'd faces,
But stop my house's ears, I mean my casements:
Let not the sound of shallow foppery enter
My sober house. By Jacob's staff, I swear,
I have no mind of feasting forth to-night:
But I will go. Go you before me, sirrah;
Say I will come.

7

Merchant of Venice
[II, 8]

Salanio

1105

You were best to tell Antonio what you hear;
Yet do not suddenly, for it may grieve him.

8

Merchant of Venice
[III, 1]

Salarino

1273

There is more difference between thy flesh and hers
than between jet and ivory; more between your bloods
than there is between red wine and rhenish. But
tell us, do you hear whether Antonio have had any
loss at sea or no?

9

Merchant of Venice
[III, 1]

Tubal

1318

I often came where I did hear of her, but cannot find her.

10

Merchant of Venice
[III, 2]

Portia

1676

What, no more?
Pay him six thousand, and deface the bond;
Double six thousand, and then treble that,
Before a friend of this description
Shall lose a hair through Bassanio's fault.
First go with me to church and call me wife,
And then away to Venice to your friend;
For never shall you lie by Portia's side
With an unquiet soul. You shall have gold
To pay the petty debt twenty times over:
When it is paid, bring your true friend along.
My maid Nerissa and myself meantime
Will live as maids and widows. Come, away!
For you shall hence upon your wedding-day:
Bid your friends welcome, show a merry cheer:
Since you are dear bought, I will love you dear.
But let me hear the letter of your friend.

11

Merchant of Venice
[III, 3]

Antonio

1711

Hear me yet, good Shylock.

12

Merchant of Venice
[III, 3]

Antonio

1719

I pray thee, hear me speak.

13

Merchant of Venice
[III, 3]

Shylock

1720

I'll have my bond; I will not hear thee speak:
I'll have my bond; and therefore speak no more.
I'll not be made a soft and dull-eyed fool,
To shake the head, relent, and sigh, and yield
To Christian intercessors. Follow not;
I'll have no speaking: I will have my bond.

14

Merchant of Venice
[III, 4]

Portia

1759

I never did repent for doing good,
Nor shall not now: for in companions
That do converse and waste the time together,
Whose souls do bear an equal yoke Of love,
There must be needs a like proportion
Of lineaments, of manners and of spirit;
Which makes me think that this Antonio,
Being the bosom lover of my lord,
Must needs be like my lord. If it be so,
How little is the cost I have bestow'd
In purchasing the semblance of my soul
From out the state of hellish misery!
This comes too near the praising of myself;
Therefore no more of it: hear other things.
Lorenzo, I commit into your hands
The husbandry and manage of my house
Until my lord's return: for mine own part,
I have toward heaven breathed a secret vow
To live in prayer and contemplation,
Only attended by Nerissa here,
Until her husband and my lord's return:
There is a monastery two miles off;
And there will we abide. I do desire you
Not to deny this imposition;
The which my love and some necessity
Now lays upon you.

15

Merchant of Venice
[IV, 1]

Duke

2083

With all my heart. Some three or four of you
Go give him courteous conduct to this place.
Meantime the court shall hear Bellario's letter.

16

Merchant of Venice
[IV, 1]

Duke

2103

You hear the learn'd Bellario, what he writes:
And here, I take it, is the doctor come.
[Enter PORTIA, dressed like a doctor of laws]
Give me your hand. Come you from old Bellario?

17

Merchant of Venice
[IV, 1]

Portia

2233

Your wife would give you little thanks for that,
If she were by, to hear you make the offer.

18

Merchant of Venice
[V, 1]

Jessica

2472

I would out-night you, did no body come;
But, hark, I hear the footing of a man.

19

Merchant of Venice
[V, 1]

Lorenzo

2502

Sweet soul, let's in, and there expect their coming.
And yet no matter: why should we go in?
My friend Stephano, signify, I pray you,
Within the house, your mistress is at hand;
And bring your music forth into the air.
[Exit Stephano]
How sweet the moonlight sleeps upon this bank!
Here will we sit and let the sounds of music
Creep in our ears: soft stillness and the night
Become the touches of sweet harmony.
Sit, Jessica. Look how the floor of heaven
Is thick inlaid with patines of bright gold:
There's not the smallest orb which thou behold'st
But in his motion like an angel sings,
Still quiring to the young-eyed cherubins;
Such harmony is in immortal souls;
But whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.
[Enter Musicians]
Come, ho! and wake Diana with a hymn!
With sweetest touches pierce your mistress' ear,
And draw her home with music.

20

Merchant of Venice
[V, 1]

Jessica

2525

I am never merry when I hear sweet music.