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As in a theatre, the eyes of men,
After a well-graced actor leaves the stage,
Are idly bent on him that enters next,
Thinking his prattle to be tedious.

      — King Richard II, Act V Scene 2

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KEYWORD: speaking

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

King Lear
[I, 4]

Fool

705

I marvel what kin thou and thy daughters are. They'll have me
whipp'd for speaking true; thou'lt have me whipp'd for lying;
and sometimes I am whipp'd for holding my peace. I had rather be
any kind o' thing than a fool! And yet I would not be thee,
nuncle. Thou hast pared thy wit o' both sides and left nothing
i' th' middle. Here comes one o' the parings.

2

King Lear
[IV, 5]

Regan

2577

I know your lady does not love her husband;
I am sure of that; and at her late being here
She gave strange eyeliads and most speaking looks
To noble Edmund. I know you are of her bosom.

3

King Lear
[IV, 6]

Gentleman

2813

A sight most pitiful in the meanest wretch,
Past speaking of in a king! Thou hast one daughter
Who redeems nature from the general curse
Which twain have brought her to.

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