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The weakest goes to the wall.

      — Romeo and Juliet, Act I Scene 1

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1-5 of 5 total

KEYWORD: noise

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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1

Henry VIII
[I, 0]

Chorus

1

I come no more to make you laugh: things now,
That bear a weighty and a serious brow,
Sad, high, and working, full of state and woe,
Such noble scenes as draw the eye to flow,
We now present. Those that can pity, here
May, if they think it well, let fall a tear;
The subject will deserve it. Such as give
Their money out of hope they may believe,
May here find truth too. Those that come to see
Only a show or two, and so agree
The play may pass, if they be still and willing,
I'll undertake may see away their shilling
Richly in two short hours. Only they
That come to hear a merry bawdy play,
A noise of targets, or to see a fellow
In a long motley coat guarded with yellow,
Will be deceived; for, gentle hearers, know,
To rank our chosen truth with such a show
As fool and fight is, beside forfeiting
Our own brains, and the opinion that we bring,
To make that only true we now intend,
Will leave us never an understanding friend.
Therefore, for goodness' sake, and as you are known
The first and happiest hearers of the town,
Be sad, as we would make ye: think ye see
The very persons of our noble story
As they were living; think you see them great,
And follow'd with the general throng and sweat
Of thousand friends; then in a moment, see
How soon this mightiness meets misery:
And, if you can be merry then, I'll say
A man may weep upon his wedding-day.

2

Henry VIII
[I, 2]

Henry VIII

316

My life itself, and the best heart of it,
Thanks you for this great care: I stood i' the level
Of a full-charged confederacy, and give thanks
To you that choked it. Let be call'd before us
That gentleman of Buckingham's; in person
I'll hear him his confessions justify;
And point by point the treasons of his master
He shall again relate.
[A noise within, crying 'Room for the Queen!' Enter]
QUEEN KATHARINE, ushered by NORFOLK, and SUFFOLK:
she kneels. KING HENRY VIII riseth from his state,
takes her up, kisses and placeth her by him]

3

Henry VIII
[IV, 1]

Third Gentleman

2490

As well as I am able. The rich stream
Of lords and ladies, having brought the queen
To a prepared place in the choir, fell off
A distance from her; while her grace sat down
To rest awhile, some half an hour or so,
In a rich chair of state, opposing freely
The beauty of her person to the people.
Believe me, sir, she is the goodliest woman
That ever lay by man: which when the people
Had the full view of, such a noise arose
As the shrouds make at sea in a stiff tempest,
As loud, and to as many tunes: hats, cloaks—
Doublets, I think,—flew up; and had their faces
Been loose, this day they had been lost. Such joy
I never saw before. Great-bellied women,
That had not half a week to go, like rams
In the old time of war, would shake the press,
And make 'em reel before 'em. No man living
Could say 'This is my wife' there; all were woven
So strangely in one piece.

4

Henry VIII
[V, 4]

(stage directions)

3268

[Noise and tumult within. Enter Porter and his Man]

5

Henry VIII
[V, 4]

Porter

3269

You'll leave your noise anon, ye rascals: do you
take the court for Paris-garden? ye rude slaves,
leave your gaping.
[Within]
Good master porter, I belong to the larder.

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