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The sense of death is most in apprehension;
And the poor beetle, that we tread upon,
In corporal sufferance finds a pang as great
As when a giant dies.

      — Measure for Measure, Act III Scene 1

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1-4 of 4 total

KEYWORD: beauty

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Cymbeline
[I, 2]

First Lord

256

Sir, as I told you always, her beauty and her brain
go not together: she's a good sign, but I have seen
small reflection of her wit.

2

Cymbeline
[II, 4]

Posthumus Leonatus

1210

And therewithal the best; or let her beauty
Look through a casement to allure false hearts
And be false with them.

3

Cymbeline
[II, 4]

Posthumus Leonatus

1308

O, no, no, no! 'tis true. Here, take this too;
[Gives the ring]
It is a basilisk unto mine eye,
Kills me to look on't. Let there be no honour
Where there is beauty; truth, where semblance; love,
Where there's another man: the vows of women
Of no more bondage be, to where they are made,
Than they are to their virtues; which is nothing.
O, above measure false!

4

Cymbeline
[V, 5]

Iachimo

3557

Upon a time,—unhappy was the clock
That struck the hour!—it was in Rome,—accursed
The mansion where!—'twas at a feast,—O, would
Our viands had been poison'd, or at least
Those which I heaved to head!—the good Posthumus—
What should I say? he was too good to be
Where ill men were; and was the best of all
Amongst the rarest of good ones,—sitting sadly,
Hearing us praise our loves of Italy
For beauty that made barren the swell'd boast
Of him that best could speak, for feature, laming
The shrine of Venus, or straight-pight Minerva.
Postures beyond brief nature, for condition,
A shop of all the qualities that man
Loves woman for, besides that hook of wiving,
Fairness which strikes the eye—

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