# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[I, 1]

Solinus

142

Hapless AEgeon, whom the fates have mark'd
To bear the extremity of dire mishap!
Now, trust me, were it not against our laws,
Against my crown, my oath, my dignity,
Which princes, would they, may not disannul,
My soul would sue as advocate for thee.
But, though thou art adjudged to the death
And passed sentence may not be recall'd
But to our honour's great disparagement,
Yet I will favour thee in what I can.
Therefore, merchant, I'll limit thee this day
To seek thy life by beneficial help:
Try all the friends thou hast in Ephesus;
Beg thou, or borrow, to make up the sum,
And live; if no, then thou art doom'd to die.
Gaoler, take him to thy custody.

2

Comedy of Errors
[I, 2]

Dromio of Syracuse

179

Many a man would take you at your word,
And go indeed, having so good a mean.

3

Comedy of Errors
[I, 2]

Antipholus of Syracuse

255

What, wilt thou flout me thus unto my face,
Being forbid? There, take you that, sir knave.

4

Comedy of Errors
[I, 2]

Dromio of Ephesus

257

What mean you, sir? for God's sake, hold your hands!
Nay, and you will not, sir, I'll take my heels.

5

Comedy of Errors
[II, 2]

Antipholus of Syracuse

415

Yea, dost thou jeer and flout me in the teeth?
Think'st thou I jest? Hold, take thou that, and that.

6

Comedy of Errors
[II, 2]

Adriana

499

Ay, ay, Antipholus, look strange and frown:
Some other mistress hath thy sweet aspects;
I am not Adriana nor thy wife.
The time was once when thou unurged wouldst vow
That never words were music to thine ear,
That never object pleasing in thine eye,
That never touch well welcome to thy hand,
That never meat sweet-savor'd in thy taste,
Unless I spake, or look'd, or touch'd, or carved to thee.
How comes it now, my husband, O, how comes it,
That thou art thus estranged from thyself?
Thyself I call it, being strange to me,
That, undividable, incorporate,
Am better than thy dear self's better part.
Ah, do not tear away thyself from me!
For know, my love, as easy mayest thou fall
A drop of water in the breaking gulf,
And take unmingled that same drop again,
Without addition or diminishing,
As take from me thyself and not me too.
How dearly would it touch me to the quick,
Shouldst thou but hear I were licentious
And that this body, consecrate to thee,
By ruffian lust should be contaminate!
Wouldst thou not spit at me and spurn at me
And hurl the name of husband in my face
And tear the stain'd skin off my harlot-brow
And from my false hand cut the wedding-ring
And break it with a deep-divorcing vow?
I know thou canst; and therefore see thou do it.
I am possess'd with an adulterate blot;
My blood is mingled with the crime of lust:
For if we too be one and thou play false,
I do digest the poison of thy flesh,
Being strumpeted by thy contagion.
Keep then far league and truce with thy true bed;
I live unstain'd, thou undishonoured.

7

Comedy of Errors
[III, 1]

Antipholus of Ephesus

640

Ay, to a niggardly host, and more sparing guest:
But though my cates be mean, take them in good part;
Better cheer may you have, but not with better heart.
But, soft! my door is lock'd. Go bid them let us in.

8

Comedy of Errors
[III, 2]

Antipholus of Syracuse

791

Sweet mistress—what your name is else, I know not,
Nor by what wonder you do hit of mine,—
Less in your knowledge and your grace you show not
Than our earth's wonder, more than earth divine.
Teach me, dear creature, how to think and speak;
Lay open to my earthy-gross conceit,
Smother'd in errors, feeble, shallow, weak,
The folded meaning of your words' deceit.
Against my soul's pure truth why labour you
To make it wander in an unknown field?
Are you a god? would you create me new?
Transform me then, and to your power I'll yield.
But if that I am I, then well I know
Your weeping sister is no wife of mine,
Nor to her bed no homage do I owe
Far more, far more to you do I decline.
O, train me not, sweet mermaid, with thy note,
To drown me in thy sister's flood of tears:
Sing, siren, for thyself and I will dote:
Spread o'er the silver waves thy golden hairs,
And as a bed I'll take them and there lie,
And in that glorious supposition think
He gains by death that hath such means to die:
Let Love, being light, be drowned if she sink!

9

Comedy of Errors
[IV, 1]

Antipholus of Ephesus

987

I am not furnish'd with the present money;
Besides, I have some business in the town.
Good signior, take the stranger to my house
And with you take the chain and bid my wife
Disburse the sum on the receipt thereof:
Perchance I will be there as soon as you.

10

Comedy of Errors
[V, 1]

Adriana

1459

Hold, hurt him not, for God's sake! he is mad.
Some get within him, take his sword away:
Bind Dromio too, and bear them to my house.

11

Comedy of Errors
[V, 1]

Dromio of Syracuse

1462

Run, master, run; for God's sake, take a house!
This is some priory. In, or we are spoil'd!
[Exeunt Antipholus of Syracuse and Dromio of Syracuse]
to the Priory]

12

Comedy of Errors
[V, 1]

Adriana

1546

Come, go: I will fall prostrate at his feet
And never rise until my tears and prayers
Have won his grace to come in person hither
And take perforce my husband from the abbess.

13

Comedy of Errors
[V, 1]

Adriana

1570

May it please your grace, Antipholus, my husband,
Whom I made lord of me and all I had,
At your important letters,—this ill day
A most outrageous fit of madness took him;
That desperately he hurried through the street,
With him his bondman, all as mad as he—
Doing displeasure to the citizens
By rushing in their houses, bearing thence
Rings, jewels, any thing his rage did like.
Once did I get him bound and sent him home,
Whilst to take order for the wrongs I went,
That here and there his fury had committed.
Anon, I wot not by what strong escape,
He broke from those that had the guard of him;
And with his mad attendant and himself,
Each one with ireful passion, with drawn swords,
Met us again and madly bent on us,
Chased us away; till, raising of more aid,
We came again to bind them. Then they fled
Into this abbey, whither we pursued them:
And here the abbess shuts the gates on us
And will not suffer us to fetch him out,
Nor send him forth that we may bear him hence.
Therefore, most gracious duke, with thy command
Let him be brought forth and borne hence for help.

14

Comedy of Errors
[V, 1]

Servant

1615

Mistress, upon my life, I tell you true;
I have not breathed almost since I did see it.
He cries for you, and vows, if he can take you,
To scorch your face and to disfigure you.
[Cry within]
Hark, hark! I hear him, mistress. fly, be gone!

15

Comedy of Errors
[V, 1]

Antipholus of Ephesus

1837

There, take it; and much thanks for my good cheer.

16

Comedy of Errors
[V, 1]

Aemilia

1838

Renowned duke, vouchsafe to take the pains
To go with us into the abbey here
And hear at large discoursed all our fortunes:
And all that are assembled in this place,
That by this sympathized one day's error
Have suffer'd wrong, go keep us company,
And we shall make full satisfaction.
Thirty-three years have I but gone in travail
Of you, my sons; and till this present hour
My heavy burden ne'er delivered.
The duke, my husband and my children both,
And you the calendars of their nativity,
Go to a gossips' feast and go with me;
After so long grief, such festivity!