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An unlesson'd girl, unschool'd, unpractised;
Happy in this, she is not yet so old
But she may learn.

      — The Merchant of Venice, Act III Scene 2

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KEYWORD: native

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

All's Well That Ends Well
[I, 1]

Helena

218

Our remedies oft in ourselves do lie,
Which we ascribe to heaven: the fated sky
Gives us free scope, only doth backward pull
Our slow designs when we ourselves are dull.
What power is it which mounts my love so high,
That makes me see, and cannot feed mine eye?
The mightiest space in fortune nature brings
To join like likes and kiss like native things.
Impossible be strange attempts to those
That weigh their pains in sense and do suppose
What hath been cannot be: who ever strove
So show her merit, that did miss her love?
The king's disease—my project may deceive me,
But my intents are fix'd and will not leave me.

2

All's Well That Ends Well
[I, 3]

Countess

458

Nay, a mother:
Why not a mother? When I said 'a mother,'
Methought you saw a serpent: what's in 'mother,'
That you start at it? I say, I am your mother;
And put you in the catalogue of those
That were enwombed mine: 'tis often seen
Adoption strives with nature and choice breeds
A native slip to us from foreign seeds:
You ne'er oppress'd me with a mother's groan,
Yet I express to you a mother's care:
God's mercy, maiden! does it curd thy blood
To say I am thy mother? What's the matter,
That this distemper'd messenger of wet,
The many-colour'd Iris, rounds thine eye?
Why? that you are my daughter?

3

All's Well That Ends Well
[III, 6]

Bertram

1789

Why, if you have a stomach, to't, monsieur: if you
think your mystery in stratagem can bring this
instrument of honour again into his native quarter,
be magnanimous in the enterprise and go on; I will
grace the attempt for a worthy exploit: if you
speed well in it, the duke shall both speak of it.
and extend to you what further becomes his
greatness, even to the utmost syllable of your
worthiness.

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