# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 3]

Sir Toby Belch

116

What a plague means my niece, to take the death of
her brother thus? I am sure care's an enemy to life.

2

Twelfth Night
[I, 3]

Sir Toby Belch

208

Excellent; it hangs like flax on a distaff; and I
hope to see a housewife take thee between her legs
and spin it off.

3

Twelfth Night
[I, 3]

Sir Toby Belch

230

Wherefore are these things hid? wherefore have
these gifts a curtain before 'em? are they like to
take dust, like Mistress Mall's picture? why dost
thou not go to church in a galliard and come home in
a coranto? My very walk should be a jig; I would not
so much as make water but in a sink-a-pace. What
dost thou mean? Is it a world to hide virtues in?
I did think, by the excellent constitution of thy
leg, it was formed under the star of a galliard.

4

Twelfth Night
[I, 5]

Olivia

330

Take the fool away.

5

Twelfth Night
[I, 5]

Feste

331

Do you not hear, fellows? Take away the lady.

6

Twelfth Night
[I, 5]

Feste

334

Two faults, madonna, that drink and good counsel
will amend: for give the dry fool drink, then is
the fool not dry: bid the dishonest man mend
himself; if he mend, he is no longer dishonest; if
he cannot, let the botcher mend him. Any thing
that's mended is but patched: virtue that
transgresses is but patched with sin; and sin that
amends is but patched with virtue. If that this
simple syllogism will serve, so; if it will not,
what remedy? As there is no true cuckold but
calamity, so beauty's a flower. The lady bade take
away the fool; therefore, I say again, take her away.

7

Twelfth Night
[I, 5]

Olivia

346

Sir, I bade them take away you.

8

Twelfth Night
[I, 5]

Feste

361

The more fool, madonna, to mourn for your brother's
soul being in heaven. Take away the fool, gentlemen.

9

Twelfth Night
[I, 5]

Malvolio

372

I marvel your ladyship takes delight in such a
barren rascal: I saw him put down the other day
with an ordinary fool that has no more brain
than a stone. Look you now, he's out of his guard
already; unless you laugh and minister occasion to
him, he is gagged. I protest, I take these wise men,
that crow so at these set kind of fools, no better
than the fools' zanies.

10

Twelfth Night
[I, 5]

Olivia

380

Oh, you are sick of self-love, Malvolio, and taste
with a distempered appetite. To be generous,
guiltless and of free disposition, is to take those
things for bird-bolts that you deem cannon-bullets:
there is no slander in an allowed fool, though he do
nothing but rail; nor no railing in a known discreet
man, though he do nothing but reprove.

11

Twelfth Night
[II, 3]

Malvolio

796

Sir Toby, I must be round with you. My lady bade me
tell you, that, though she harbours you as her
kinsman, she's nothing allied to your disorders. If
you can separate yourself and your misdemeanors, you
are welcome to the house; if not, an it would please
you to take leave of her, she is very willing to bid
you farewell.

12

Twelfth Night
[II, 3]

Sir Andrew Aguecheek

886

If I do not, never trust me, take it how you will.

13

Twelfth Night
[II, 4]

Orsino

921

Too old by heaven: let still the woman take
An elder than herself: so wears she to him,
So sways she level in her husband's heart:
For, boy, however we do praise ourselves,
Our fancies are more giddy and unfirm,
More longing, wavering, sooner lost and worn,
Than women's are.

14

Twelfth Night
[II, 4]

Feste

964

No pains, sir: I take pleasure in singing, sir.

15

Twelfth Night
[II, 5]

Sir Toby Belch

1094

And does not Toby take you a blow o' the lips then?

16

Twelfth Night
[III, 2]

Sir Toby Belch

1435

Why, then, build me thy fortunes upon the basis of
valour. Challenge me the count's youth to fight
with him; hurt him in eleven places: my niece shall
take note of it; and assure thyself, there is no
love-broker in the world can more prevail in man's
commendation with woman than report of valour.

17

Twelfth Night
[III, 4]

Maria

1674

Nay, pursue him now, lest the device take air and taint.

18

Twelfth Night
[III, 4]

Fabian

1738

Here he comes with your niece: give them way till
he take leave, and presently after him.

19

Twelfth Night
[III, 4]

Sir Toby Belch

1833

I'll make the motion: stand here, make a good show
on't: this shall end without the perdition of souls.
[Aside]
Marry, I'll ride your horse as well as I ride you.
[Re-enter FABIAN and VIOLA]
[To FABIAN]
I have his horse to take up the quarrel:
I have persuaded him the youth's a devil.

20

Twelfth Night
[III, 4]

Antonio

1860

Put up your sword. If this young gentleman
Have done offence, I take the fault on me:
If you offend him, I for him defy you.