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The setting sun, and music at the close,
As the last taste of sweets, is sweetest last,
Writ in remembrance more than things long past.

      — King Richard II, Act II Scene 1

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1-6 of 6 total

KEYWORD: note

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[III, 2]

Sir Toby Belch

1435

Why, then, build me thy fortunes upon the basis of
valour. Challenge me the count's youth to fight
with him; hurt him in eleven places: my niece shall
take note of it; and assure thyself, there is no
love-broker in the world can more prevail in man's
commendation with woman than report of valour.

2

Twelfth Night
[III, 3]

Antonio

1514

Would you'ld pardon me;
I do not without danger walk these streets:
Once, in a sea-fight, 'gainst the count his galleys
I did some service; of such note indeed,
That were I ta'en here it would scarce be answer'd.

3

Twelfth Night
[III, 4]

Malvolio

1609

O, ho! do you come near me now? no worse man than
Sir Toby to look to me! This concurs directly with
the letter: she sends him on purpose, that I may
appear stubborn to him; for she incites me to that
in the letter. 'Cast thy humble slough,' says she;
'be opposite with a kinsman, surly with servants;
let thy tongue tang with arguments of state; put
thyself into the trick of singularity;' and
consequently sets down the manner how; as, a sad
face, a reverend carriage, a slow tongue, in the
habit of some sir of note, and so forth. I have
limed her; but it is Jove's doing, and Jove make me
thankful! And when she went away now, 'Let this
fellow be looked to:' fellow! not Malvolio, nor
after my degree, but fellow. Why, every thing
adheres together, that no dram of a scruple, no
scruple of a scruple, no obstacle, no incredulous
or unsafe circumstance—What can be said? Nothing
that can be can come between me and the full
prospect of my hopes. Well, Jove, not I, is the
doer of this, and he is to be thanked.

4

Twelfth Night
[III, 4]

Fabian

1696

A good note; that keeps you from the blow of the law.

5

Twelfth Night
[IV, 3]

Olivia

2174

Blame not this haste of mine. If you mean well,
Now go with me and with this holy man
Into the chantry by: there, before him,
And underneath that consecrated roof,
Plight me the full assurance of your faith;
That my most jealous and too doubtful soul
May live at peace. He shall conceal it
Whiles you are willing it shall come to note,
What time we will our celebration keep
According to my birth. What do you say?

6

Twelfth Night
[IV, 3]

Olivia

2186

Then lead the way, good father; and heavens so shine,
That they may fairly note this act of mine!

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