# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 3]

(stage directions)

115

[Enter SIR TOBY BELCH and MARIA]

2

Twelfth Night
[I, 5]

(stage directions)

295

[Enter MARIA and Clown]

3

Twelfth Night
[I, 5]

(stage directions)

389

[Re-enter MARIA]

4

Twelfth Night
[I, 5]

Olivia

396

Fetch him off, I pray you; he speaks nothing but
madman: fie on him!
[Exit MARIA]
Go you, Malvolio: if it be a suit from the count, I
am sick, or not at home; what you will, to dismiss it.
[Exit MALVOLIO]
Now you see, sir, how your fooling grows old, and
people dislike it.

5

Twelfth Night
[I, 5]

(stage directions)

457

[Re-enter MARIA]

6

Twelfth Night
[I, 5]

Olivia

508

Give us the place alone: we will hear this divinity.
[Exeunt MARIA and Attendants]
Now, sir, what is your text?

7

Twelfth Night
[II, 3]

(stage directions)

771

[Enter MARIA]

8

Twelfth Night
[II, 3]

Sir Toby Belch

819

Thou'rt i' the right. Go, sir, rub your chain with
crumbs. A stoup of wine, Maria!

9

Twelfth Night
[II, 5]

Sir Toby Belch

1039

Here comes the little villain.
[Enter MARIA]
How now, my metal of India!

10

Twelfth Night
[II, 5]

Malvolio

1052

'Tis but fortune; all is fortune. Maria once told
me she did affect me: and I have heard herself come
thus near, that, should she fancy, it should be one
of my complexion. Besides, she uses me with a more
exalted respect than any one else that follows her.
What should I think on't?

11

Twelfth Night
[II, 5]

(stage directions)

1213

[Re-enter MARIA]

12

Twelfth Night
[III, 1]

Viola

1317

I will answer you with gait and entrance. But we
are prevented.
[Enter OLIVIA and MARIA]
Most excellent accomplished lady, the heavens rain
odours on you!

13

Twelfth Night
[III, 1]

Olivia

1327

Let the garden door be shut, and leave me to my hearing.
[Exeunt SIR TOBY BELCH, SIR ANDREW, and MARIA]
Give me your hand, sir.

14

Twelfth Night
[III, 2]

(stage directions)

1468

[Enter MARIA]

15

Twelfth Night
[III, 4]

(stage directions)

1543

[Enter OLIVIA and MARIA]

16

Twelfth Night
[III, 4]

Olivia

1557

Go call him hither.
[Exit MARIA]
I am as mad as he,
If sad and merry madness equal be.
[Re-enter MARIA, with MALVOLIO]
How now, Malvolio!

17

Twelfth Night
[III, 4]

Olivia

1602

I'll come to him.
[Exit Servant]
Good Maria, let this fellow be looked to. Where's
my cousin Toby? Let some of my people have a special
care of him: I would not have him miscarry for the
half of my dowry.

18

Twelfth Night
[III, 4]

(stage directions)

1608

[Exeunt OLIVIA and MARIA]

19

Twelfth Night
[III, 4]

(stage directions)

1630

[Re-enter MARIA, with SIR TOBY BELCH and FABIAN]

20

Twelfth Night
[III, 4]

(stage directions)

1742

[Exeunt SIR TOBY BELCH, FABIAN, and MARIA]