# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Twelfth Night
[I, 1]

Orsino

2

If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.
O spirit of love! how quick and fresh art thou,
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,
But falls into abatement and low price,
Even in a minute: so full of shapes is fancy
That it alone is high fantastical.

2

Twelfth Night
[I, 5]

Feste

307

Well, God give them wisdom that have it; and those
that are fools, let them use their talents.

3

Twelfth Night
[I, 5]

Feste

334

Two faults, madonna, that drink and good counsel
will amend: for give the dry fool drink, then is
the fool not dry: bid the dishonest man mend
himself; if he mend, he is no longer dishonest; if
he cannot, let the botcher mend him. Any thing
that's mended is but patched: virtue that
transgresses is but patched with sin; and sin that
amends is but patched with virtue. If that this
simple syllogism will serve, so; if it will not,
what remedy? As there is no true cuckold but
calamity, so beauty's a flower. The lady bade take
away the fool; therefore, I say again, take her away.

4

Twelfth Night
[I, 5]

Feste

347

Misprision in the highest degree! Lady, cucullus non
facit monachum; that's as much to say as I wear not
motley in my brain. Good madonna, give me leave to
prove you a fool.

5

Twelfth Night
[I, 5]

Sir Toby Belch

418

Let him be the devil, an he will, I care not: give
me faith, say I. Well, it's all one.

6

Twelfth Night
[I, 5]

Olivia

458

Give me my veil: come, throw it o'er my face.
We'll once more hear Orsino's embassy.

7

Twelfth Night
[I, 5]

Viola

472

I can say little more than I have studied, and that
question's out of my part. Good gentle one, give me
modest assurance if you be the lady of the house,
that I may proceed in my speech.

8

Twelfth Night
[I, 5]

Olivia

508

Give us the place alone: we will hear this divinity.
[Exeunt MARIA and Attendants]
Now, sir, what is your text?

9

Twelfth Night
[I, 5]

Olivia

532

O, sir, I will not be so hard-hearted; I will give
out divers schedules of my beauty: it shall be
inventoried, and every particle and utensil
labelled to my will: as, item, two lips,
indifferent red; item, two grey eyes, with lids to
them; item, one neck, one chin, and so forth. Were
you sent hither to praise me?

10

Twelfth Night
[I, 5]

Olivia

583

'What is your parentage?'
'Above my fortunes, yet my state is well:
I am a gentleman.' I'll be sworn thou art;
Thy tongue, thy face, thy limbs, actions and spirit,
Do give thee five-fold blazon: not too fast:
soft, soft!
Unless the master were the man. How now!
Even so quickly may one catch the plague?
Methinks I feel this youth's perfections
With an invisible and subtle stealth
To creep in at mine eyes. Well, let it be.
What ho, Malvolio!

11

Twelfth Night
[I, 5]

Olivia

597

Run after that same peevish messenger,
The county's man: he left this ring behind him,
Would I or not: tell him I'll none of it.
Desire him not to flatter with his lord,
Nor hold him up with hopes; I am not for him:
If that the youth will come this way to-morrow,
I'll give him reasons for't: hie thee, Malvolio.

12

Twelfth Night
[II, 3]

Sir Andrew Aguecheek

734

There's a testril of me too: if one knight give a—

13

Twelfth Night
[II, 3]

Malvolio

821

Mistress Mary, if you prized my lady's favour at any
thing more than contempt, you would not give means
for this uncivil rule: she shall know of it, by this hand.

14

Twelfth Night
[II, 4]

Orsino

891

Give me some music. Now, good morrow, friends.
Now, good Cesario, but that piece of song,
That old and antique song we heard last night:
Methought it did relieve my passion much,
More than light airs and recollected terms
Of these most brisk and giddy-paced times:
Come, but one verse.

15

Twelfth Night
[II, 4]

Orsino

967

Give me now leave to leave thee.

16

Twelfth Night
[II, 4]

Orsino

975

Let all the rest give place.
[CURIO and Attendants retire]
Once more, Cesario,
Get thee to yond same sovereign cruelty:
Tell her, my love, more noble than the world,
Prizes not quantity of dirty lands;
The parts that fortune hath bestow'd upon her,
Tell her, I hold as giddily as fortune;
But 'tis that miracle and queen of gems
That nature pranks her in attracts my soul.

17

Twelfth Night
[II, 4]

Orsino

992

There is no woman's sides
Can bide the beating of so strong a passion
As love doth give my heart; no woman's heart
So big, to hold so much; they lack retention
Alas, their love may be call'd appetite,
No motion of the liver, but the palate,
That suffer surfeit, cloyment and revolt;
But mine is all as hungry as the sea,
And can digest as much: make no compare
Between that love a woman can bear me
And that I owe Olivia.

18

Twelfth Night
[II, 4]

Orsino

1024

Ay, that's the theme.
To her in haste; give her this jewel; say,
My love can give no place, bide no denay.

19

Twelfth Night
[II, 5]

Malvolio

1095

Saying, 'Cousin Toby, my fortunes having cast me on
your niece give me this prerogative of speech,'—

20

Twelfth Night
[II, 5]

Fabian

1206

I will not give my part of this sport for a pension
of thousands to be paid from the Sophy.