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KEYWORD: ay

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# Result number	Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.	Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."	Line Shows where the line falls within the work. The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.	Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.
1	Twelfth Night [I, 2]	Captain	69	Ay, madam, well; for I was bred and born Not three hours' travel from this very place.
2	Twelfth Night [I, 3]	Maria	122	Ay, but you must confine yourself within the modest limits of order.
3	Twelfth Night [I, 3]	Maria	132	Ay, he.
4	Twelfth Night [I, 3]	Maria	136	Ay, but he'll have but a year in all these ducats: he's a very fool and a prodigal.
5	Twelfth Night [I, 3]	Maria	187	Ay, sir, I have them at my fingers' ends: marry, now I let go your hand, I am barren.
6	Twelfth Night [I, 3]	Sir Andrew Aguecheek	239	Ay, 'tis strong, and it does indifferent well in a flame-coloured stock. Shall we set about some revels?
7	Twelfth Night [I, 5]	Olivia	417	Ay, marry, what is he?
8	Twelfth Night [II, 3]	Sir Andrew Aguecheek	737	Ay, ay: I care not for good life.
9	Twelfth Night [II, 3]	Sir Andrew Aguecheek	782	Ay, he does well enough if he be disposed, and so do I too: he does it with a better grace, but I do it more natural.
10	Twelfth Night [II, 4]	Orsino	944	Ay; prithee, sing. [Music] SONG.
11	Twelfth Night [II, 4]	Viola	1003	Ay, but I know—
12	Twelfth Night [II, 4]	Orsino	1024	Ay, that's the theme. To her in haste; give her this jewel; say, My love can give no place, bide no denay.
13	Twelfth Night [II, 5]	Sir Toby Belch	1146	O, ay, make up that: he is now at a cold scent.
14	Twelfth Night [II, 5]	Sir Toby Belch	1155	Ay, or I'll cudgel him, and make him cry O!
15	Twelfth Night [II, 5]	Fabian	1157	Ay, an you had any eye behind you, you might see more detraction at your heels than fortunes before you.
16	Twelfth Night [III, 4]	Malvolio	1576	To bed! ay, sweet-heart, and I'll come to thee.
17	Twelfth Night [III, 4]	Sir Toby Belch	1660	Ay, Biddy, come with me. What, man! 'tis not for gravity to play at cherry-pit with Satan: hang him, foul collier!
18	Twelfth Night [III, 4]	Sir Andrew Aguecheek	1689	Ay, is't, I warrant him: do but read.
19	Twelfth Night [III, 4]	Sir Toby Belch	1827	Ay, but he will not now be pacified: Fabian can scarce hold him yonder.
20	Twelfth Night [IV, 2]	Malvolio	2103	Ay, good fool.

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