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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
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The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
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within it, unless highlighting has been disabled by the user.
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2 |
King John
[V, 1] |
Philip the Bastard |
2261 |
O inglorious league!
Shall we, upon the footing of our land,
Send fair-play orders and make compromise,
Insinuation, parley and base truce
To arms invasive? shall a beardless boy,
A cocker'd silken wanton, brave our fields,
And flesh his spirit in a warlike soil,
Mocking the air with colours idly spread,
And find no cheque? Let us, my liege, to arms:
Perchance the cardinal cannot make your peace;
Or if he do, let it at least be said
They saw we had a purpose of defence.
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4 |
Taming of the Shrew
[IV, 1] |
Petruchio |
1738 |
Go, rascals, go and fetch my supper in.
[Exeunt some of the SERVINGMEN]
[Sings] Where is the life that late I led?
Where are those-
Sit down, Kate, and welcome. Soud, soud, soud, soud!
[Re-enter SERVANTS with supper]
Why, when, I say? Nay, good sweet Kate, be merry.
Off with my boots, you rogues! you villains, when?
[Sings] It was the friar of orders grey,
As he forth walked on his way-
Out, you rogue! you pluck my foot awry;
Take that, and mend the plucking off the other.
[Strikes him]
Be merry, Kate. Some water, here, what, ho!
[Enter one with water]
Where's my spaniel Troilus? Sirrah, get you hence,
And bid my cousin Ferdinand come hither:
[Exit SERVINGMAN]
One, Kate, that you must kiss and be acquainted with.
Where are my slippers? Shall I have some water?
Come, Kate, and wash, and welcome heartily.
You whoreson villain! will you let it fall? [Strikes him]
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5 |
Troilus and Cressida
[I, 3] |
Ulysses |
595 |
The great Achilles, whom opinion crowns
The sinew and the forehand of our host,
Having his ear full of his airy fame,
Grows dainty of his worth, and in his tent
Lies mocking our designs: with him Patroclus
Upon a lazy bed the livelong day
Breaks scurril jests;
And with ridiculous and awkward action,
Which, slanderer, he imitation calls,
He pageants us. Sometime, great Agamemnon,
Thy topless deputation he puts on,
And, like a strutting player, whose conceit
Lies in his hamstring, and doth think it rich
To hear the wooden dialogue and sound
'Twixt his stretch'd footing and the scaffoldage,—
Such to-be-pitied and o'er-wrested seeming
He acts thy greatness in: and when he speaks,
'Tis like a chime a-mending; with terms unsquared,
Which, from the tongue of roaring Typhon dropp'd
Would seem hyperboles. At this fusty stuff
The large Achilles, on his press'd bed lolling,
From his deep chest laughs out a loud applause;
Cries 'Excellent! 'tis Agamemnon just.
Now play me Nestor; hem, and stroke thy beard,
As he being drest to some oration.'
That's done, as near as the extremest ends
Of parallels, as like as Vulcan and his wife:
Yet god Achilles still cries 'Excellent!
'Tis Nestor right. Now play him me, Patroclus,
Arming to answer in a night alarm.'
And then, forsooth, the faint defects of age
Must be the scene of mirth; to cough and spit,
And, with a palsy-fumbling on his gorget,
Shake in and out the rivet: and at this sport
Sir Valour dies; cries 'O, enough, Patroclus;
Or give me ribs of steel! I shall split all
In pleasure of my spleen.' And in this fashion,
All our abilities, gifts, natures, shapes,
Severals and generals of grace exact,
Achievements, plots, orders, preventions,
Excitements to the field, or speech for truce,
Success or loss, what is or is not, serves
As stuff for these two to make paradoxes.
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