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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
All's Well That Ends Well
[III, 5] |
Helena |
1699 |
Which is the Frenchman?
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2 |
All's Well That Ends Well
[IV, 3] |
First Soldier |
2260 |
Well, that's set down.
[Reads]
'You shall demand of him, whether one Captain Dumain
be i' the camp, a Frenchman; what his reputation is
with the duke; what his valour, honesty, and
expertness in wars; or whether he thinks it were not
possible, with well-weighing sums of gold, to
corrupt him to revolt.' What say you to this? what
do you know of it?
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3 |
All's Well That Ends Well
[IV, 5] |
Lafeu |
2494 |
Who's that? a Frenchman?
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4 |
Cymbeline
[I, 4] |
(stage directions) |
321 |
[Enter PHILARIO, IACHIMO, a Frenchman, a]
Dutchman, and a Spaniard]
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5 |
Cymbeline
[I, 6] |
Iachimo |
678 |
I never saw him sad.
There is a Frenchman his companion, one
An eminent monsieur, that, it seems, much loves
A Gallian girl at home; he furnaces
The thick sighs from him, whiles the jolly Briton—
Your lord, I mean—laughs from's free lungs, cries 'O,
Can my sides hold, to think that man, who knows
By history, report, or his own proof,
What woman is, yea, what she cannot choose
But must be, will his free hours languish for
Assured bondage?'
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6 |
Cymbeline
[I, 6] |
Iachimo |
690 |
Ay, madam, with his eyes in flood with laughter:
It is a recreation to be by
And hear him mock the Frenchman. But, heavens know,
Some men are much to blame.
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7 |
Hamlet
[IV, 7] |
Claudius |
3272 |
No place indeed should murther sanctuarize;
Revenge should have no bounds. But, good Laertes,
Will you do this? Keep close within your chamber.
Hamlet return'd shall know you are come home.
We'll put on those shall praise your excellence
And set a double varnish on the fame
The Frenchman gave you; bring you in fine together
And wager on your heads. He, being remiss,
Most generous, and free from all contriving,
Will not peruse the foils; so that with ease,
Or with a little shuffling, you may choose
A sword unbated, and, in a pass of practice,
Requite him for your father.
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8 |
Henry V
[I, 1] |
Archbishop of Canterbury |
136 |
Then go we in, to know his embassy;
Which I could with a ready guess declare,
Before the Frenchman speak a word of it.
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9 |
Henry VI, Part I
[III, 3] |
Joan la Pucelle |
1695 |
[Aside] Done like a Frenchman: turn, and turn again!
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10 |
Henry VI, Part I
[IV, 7] |
Lord Talbot/Earl of Shrewsbury |
2270 |
Thou antic death, which laugh'st us here to scorn,
Anon, from thy insulting tyranny,
Coupled in bonds of perpetuity,
Two Talbots, winged through the lither sky,
In thy despite shall 'scape mortality.
O, thou, whose wounds become hard-favour'd death,
Speak to thy father ere thou yield thy breath!
Brave death by speaking, whether he will or no;
Imagine him a Frenchman and thy foe.
Poor boy! he smiles, methinks, as who should say,
Had death been French, then death had died to-day.
Come, come and lay him in his father's arms:
My spirit can no longer bear these harms.
Soldiers, adieu! I have what I would have,
Now my old arms are young John Talbot's grave.
[Dies]
[Enter CHARLES, ALENCON, BURGUNDY, BASTARD OF]
ORLEANS, JOAN LA PUCELLE, and forces]
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11 |
Merchant of Venice
[I, 2] |
Portia |
270 |
That he hath a neighbourly charity in him, for he
borrowed a box of the ear of the Englishman and
swore he would pay him again when he was able: I
think the Frenchman became his surety and sealed
under for another.
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12 |
Merchant of Venice
[II, 8] |
Salarino |
1098 |
Marry, well remember'd.
I reason'd with a Frenchman yesterday,
Who told me, in the narrow seas that part
The French and English, there miscarried
A vessel of our country richly fraught:
I thought upon Antonio when he told me;
And wish'd in silence that it were not his.
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13 |
Merry Wives of Windsor
[II, 1] |
Page |
777 |
I have heard the Frenchman hath good skill in
his rapier.
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14 |
Much Ado about Nothing
[III, 2] |
Don Pedro |
1228 |
There is no appearance of fancy in him, unless it be
a fancy that he hath to strange disguises; as, to be
a Dutchman today, a Frenchman to-morrow, or in the
shape of two countries at once, as, a German from
the waist downward, all slops, and a Spaniard from
the hip upward, no doublet. Unless he have a fancy
to this foolery, as it appears he hath, he is no
fool for fancy, as you would have it appear he is.
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