# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[I, 1]

Philo

2

Nay, but this dotage of our general's
O'erflows the measure: those his goodly eyes,
That o'er the files and musters of the war
Have glow'd like plated Mars, now bend, now turn,
The office and devotion of their view
Upon a tawny front: his captain's heart,
Which in the scuffles of great fights hath burst
The buckles on his breast, reneges all temper,
And is become the bellows and the fan
To cool a gipsy's lust.
[Flourish. Enter ANTONY, CLEOPATRA, her Ladies,]
the Train, with Eunuchs fanning her]
Look, where they come:
Take but good note, and you shall see in him.
The triple pillar of the world transform'd
Into a strumpet's fool: behold and see.

2

Antony and Cleopatra
[III, 13]

Domitius Enobarus

2486

Now he'll outstare the lightning. To be furious,
Is to be frighted out of fear; and in that mood
The dove will peck the estridge; and I see still,
A diminution in our captain's brain
Restores his heart: when valour preys on reason,
It eats the sword it fights with. I will seek
Some way to leave him.

3

Coriolanus
[I, 8]

Tullus Aufidius

751

Wert thou the Hector
That was the whip of your bragg'd progeny,
Thou shouldst not scape me here.
[They fight, and certain Volsces come to the aid of]
AUFIDIUS. CORIOLANUS fights till they be driven in
breathless]
Officious, and not valiant, you have shamed me
In your condemned seconds.

4

Coriolanus
[IV, 7]

Tullus Aufidius

3235

I understand thee well; and be thou sure,
when he shall come to his account, he knows not
What I can urge against him. Although it seems,
And so he thinks, and is no less apparent
To the vulgar eye, that he bears all things fairly.
And shows good husbandry for the Volscian state,
Fights dragon-like, and does achieve as soon
As draw his sword; yet he hath left undone
That which shall break his neck or hazard mine,
Whene'er we come to our account.

5

Henry IV, Part I
[V, 4]

Falstaff

3035

Well said, Hal! to it Hal! Nay, you shall find no
boy's play here, I can tell you.
[Re-enter DOUGLAS; he fights with FALSTAFF,]
who falls down as if he were dead, and exit
DOUGLAS. HOTSPUR is wounded, and falls]

6

Henry V
[III, 2]

Boy

1155

As young as I am, I have observed these three
swashers. I am boy to them all three: but all they
three, though they would serve me, could not be man
to me; for indeed three such antics do not amount to
a man. For Bardolph, he is white-livered and
red-faced; by the means whereof a' faces it out, but
fights not. For Pistol, he hath a killing tongue
and a quiet sword; by the means whereof a' breaks
words, and keeps whole weapons. For Nym, he hath
heard that men of few words are the best men; and
therefore he scorns to say his prayers, lest a'
should be thought a coward: but his few bad words
are matched with as few good deeds; for a' never
broke any man's head but his own, and that was
against a post when he was drunk. They will steal
any thing, and call it purchase. Bardolph stole a
lute-case, bore it twelve leagues, and sold it for
three half pence. Nym and Bardolph are sworn
brothers in filching, and in Calais they stole a
fire-shovel: I knew by that piece of service the
men would carry coals. They would have me as
familiar with men's pockets as their gloves or their
handkerchers: which makes much against my manhood,
if I should take from another's pocket to put into
mine; for it is plain pocketing up of wrongs. I
must leave them, and seek some better service:
their villany goes against my weak stomach, and
therefore I must cast it up.

7

Henry VIII
[I, 3]

Sir Thomas Lovell

599

They must either,
For so run the conditions, leave those remnants
Of fool and feather that they got in France,
With all their honourable point of ignorance
Pertaining thereunto, as fights and fireworks,
Abusing better men than they can be,
Out of a foreign wisdom, renouncing clean
The faith they have in tennis, and tall stockings,
Short blister'd breeches, and those types of travel,
And understand again like honest men;
Or pack to their old playfellows: there, I take it,
They may, 'cum privilegio,' wear away
The lag end of their lewdness and be laugh'd at.

8

Merry Wives of Windsor
[II, 2]

Pistol

927

This punk is one of Cupid's carriers:
Clap on more sails; pursue; up with your fights:
Give fire: she is my prize, or ocean whelm them all!

9

Rape of Lucrece

Shakespeare

318

'Why hunt I then for colour or excuses?
All orators are dumb when beauty pleadeth;
Poor wretches have remorse in poor abuses;
Love thrives not in the heart that shadows dreadeth:
Affection is my captain, and he leadeth;
And when his gaudy banner is display'd,
The coward fights and will not be dismay'd.

10

Richard II
[II, 2]

Green

1145

Alas, poor duke! the task he undertakes
Is numbering sands and drinking oceans dry:
Where one on his side fights, thousands will fly.
Farewell at once, for once, for all, and ever.

11

Richard III
[V, 4]

Sir William Catesby

3874

Rescue, my Lord of Norfolk, rescue, rescue!
The king enacts more wonders than a man,
Daring an opposite to every danger:
His horse is slain, and all on foot he fights,
Seeking for Richmond in the throat of death.
Rescue, fair lord, or else the day is lost!

12

Romeo and Juliet
[II, 4]

Mercutio

1177

More than prince of cats, I can tell you. O, he is
the courageous captain of compliments. He fights as
you sing prick-song, keeps time, distance, and
proportion; rests me his minim rest, one, two, and
the third in your bosom: the very butcher of a silk
button, a duellist, a duellist; a gentleman of the
very first house, of the first and second cause:
ah, the immortal passado! the punto reverso! the
hai!

13

Romeo and Juliet
[III, 1]

Mercutio

1601

No, 'tis not so deep as a well, nor so wide as a
church-door; but 'tis enough,'twill serve: ask for
me to-morrow, and you shall find me a grave man. I
am peppered, I warrant, for this world. A plague o'
both your houses! 'Zounds, a dog, a rat, a mouse, a
cat, to scratch a man to death! a braggart, a
rogue, a villain, that fights by the book of
arithmetic! Why the devil came you between us? I
was hurt under your arm.

14

Titus Andronicus
[I, 1]

Captain

73

Romans, make way: the good Andronicus.
Patron of virtue, Rome's best champion,
Successful in the battles that he fights,
With honour and with fortune is return'd
From where he circumscribed with his sword,
And brought to yoke, the enemies of Rome.
[Drums and trumpets sounded. Enter MARTIUS and]
MUTIUS; After them, two Men bearing a coffin
covered with black; then LUCIUS and QUINTUS. After
them, TITUS ANDRONICUS; and then TAMORA, with
ALARBUS, DEMETRIUS, CHIRON, AARON, and other Goths,
prisoners; Soldiers and people following. The
Bearers set down the coffin, and TITUS speaks]

15

Troilus and Cressida
[V, 5]

Nestor

3473

Go, bear Patroclus' body to Achilles;
And bid the snail-paced Ajax arm for shame.
There is a thousand Hectors in the field:
Now here he fights on Galathe his horse,
And there lacks work; anon he's there afoot,
And there they fly or die, like scaled sculls
Before the belching whale; then is he yonder,
And there the strawy Greeks, ripe for his edge,
Fall down before him, like the mower's swath:
Here, there, and every where, he leaves and takes,
Dexterity so obeying appetite
That what he will he does, and does so much
That proof is call'd impossibility.