# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Antony and Cleopatra
[II, 5]

Cleopatra

1193

I am paid for't now.
Lead me from hence:
I faint: O Iras, Charmian! 'tis no matter.
Go to the fellow, good Alexas; bid him
Report the feature of Octavia, her years,
Her inclination, let him not leave out
The colour of her hair: bring me word quickly.
[Exit ALEXAS]
Let him for ever go:—let him not—Charmian,
Though he be painted one way like a Gorgon,
The other way's a Mars. Bid you Alexas
[To MARDIAN]
Bring me word how tall she is. Pity me, Charmian,
But do not speak to me. Lead me to my chamber.

2

As You Like It
[III, 3]

Touchstone

1506

Come apace, good Audrey; I will fetch up your goats,
Audrey. And how, Audrey, am I the man yet? Doth my simple feature
content you?

3

Cymbeline
[V, 5]

Iachimo

3557

Upon a time,—unhappy was the clock
That struck the hour!—it was in Rome,—accursed
The mansion where!—'twas at a feast,—O, would
Our viands had been poison'd, or at least
Those which I heaved to head!—the good Posthumus—
What should I say? he was too good to be
Where ill men were; and was the best of all
Amongst the rarest of good ones,—sitting sadly,
Hearing us praise our loves of Italy
For beauty that made barren the swell'd boast
Of him that best could speak, for feature, laming
The shrine of Venus, or straight-pight Minerva.
Postures beyond brief nature, for condition,
A shop of all the qualities that man
Loves woman for, besides that hook of wiving,
Fairness which strikes the eye—

4

Hamlet
[III, 1]

Ophelia

1841

O, what a noble mind is here o'erthrown!
The courtier's, scholar's, soldier's, eye, tongue, sword,
Th' expectancy and rose of the fair state,
The glass of fashion and the mould of form,
Th' observ'd of all observers- quite, quite down!
And I, of ladies most deject and wretched,
That suck'd the honey of his music vows,
Now see that noble and most sovereign reason,
Like sweet bells jangled, out of tune and harsh;
That unmatch'd form and feature of blown youth
Blasted with ecstasy. O, woe is me
T' have seen what I have seen, see what I see!

5

Hamlet
[III, 2]

Hamlet

1896

Be not too tame neither; but let your own discretion be your
tutor. Suit the action to the word, the word to the action; with
this special observance, that you o'erstep not the modesty of
nature: for anything so overdone is from the purpose of playing,
whose end, both at the first and now, was and is, to hold, as
'twere, the mirror up to nature; to show Virtue her own feature,
scorn her own image, and the very age and body of the time his
form and pressure. Now this overdone, or come tardy off, though
it make the unskilful laugh, cannot but make the judicious
grieve; the censure of the which one must in your allowance
o'erweigh a whole theatre of others. O, there be players that I
have seen play, and heard others praise, and that highly (not to
speak it profanely), that, neither having the accent of
Christians, nor the gait of Christian, pagan, nor man, have so
strutted and bellowed that I have thought some of Nature's
journeymen had made men, and not made them well, they imitated
humanity so abominably.

6

Henry VI, Part I
[V, 5]

Earl of Suffolk

2901

A dower, my lords! disgrace not so your king,
That he should be so abject, base and poor,
To choose for wealth and not for perfect love.
Henry is able to enrich his queen
And not seek a queen to make him rich:
So worthless peasants bargain for their wives,
As market-men for oxen, sheep, or horse.
Marriage is a matter of more worth
Than to be dealt in by attorneyship;
Not whom we will, but whom his grace affects,
Must be companion of his nuptial bed:
And therefore, lords, since he affects her most,
It most of all these reasons bindeth us,
In our opinions she should be preferr'd.
For what is wedlock forced but a hell,
An age of discord and continual strife?
Whereas the contrary bringeth bliss,
And is a pattern of celestial peace.
Whom should we match with Henry, being a king,
But Margaret, that is daughter to a king?
Her peerless feature, joined with her birth,
Approves her fit for none but for a king:
Her valiant courage and undaunted spirit,
More than in women commonly is seen,
Will answer our hope in issue of a king;
For Henry, son unto a conqueror,
Is likely to beget more conquerors,
If with a lady of so high resolve
As is fair Margaret he be link'd in love.
Then yield, my lords; and here conclude with me
That Margaret shall be queen, and none but she.

7

Henry VIII
[III, 2]

Duke of Suffolk

1888

There's order given for her coronation:
Marry, this is yet but young, and may be left
To some ears unrecounted. But, my lords,
She is a gallant creature, and complete
In mind and feature: I persuade me, from her
Will fall some blessing to this land, which shall
In it be memorised.

8

King John
[II, 1]

Constance

418

My bed was ever to thy son as true
As thine was to thy husband; and this boy
Liker in feature to his father Geffrey
Than thou and John in manners; being as like
As rain to water, or devil to his dam.
My boy a bastard! By my soul, I think
His father never was so true begot:
It cannot be, an if thou wert his mother.

9

King John
[IV, 2]

King John

2004

Doth Arthur live? O, haste thee to the peers,
Throw this report on their incensed rage,
And make them tame to their obedience!
Forgive the comment that my passion made
Upon thy feature; for my rage was blind,
And foul imaginary eyes of blood
Presented thee more hideous than thou art.
O, answer not, but to my closet bring
The angry lords with all expedient haste.
I conjure thee but slowly; run more fast.

10

King Lear
[IV, 2]

Duke of Albany

2409

Thou changed and self-cover'd thing, for shame!
Bemonster not thy feature! Were't my fitness
To let these hands obey my blood,
They are apt enough to dislocate and tear
Thy flesh and bones. Howe'er thou art a fiend,
A woman's shape doth shield thee.

11

Richard III
[I, 1]

Richard III (Duke of Gloucester)

2

Now is the winter of our discontent
Made glorious summer by this sun of York;
And all the clouds that lour'd upon our house
In the deep bosom of the ocean buried.
Now are our brows bound with victorious wreaths;
Our bruised arms hung up for monuments;
Our stern alarums changed to merry meetings,
Our dreadful marches to delightful measures.
Grim-visaged war hath smooth'd his wrinkled front;
And now, instead of mounting barded steeds
To fright the souls of fearful adversaries,
He capers nimbly in a lady's chamber
To the lascivious pleasing of a lute.
But I, that am not shaped for sportive tricks,
Nor made to court an amorous looking-glass;
I, that am rudely stamp'd, and want love's majesty
To strut before a wanton ambling nymph;
I, that am curtail'd of this fair proportion,
Cheated of feature by dissembling nature,
Deformed, unfinish'd, sent before my time
Into this breathing world, scarce half made up,
And that so lamely and unfashionable
That dogs bark at me as I halt by them;
Why, I, in this weak piping time of peace,
Have no delight to pass away the time,
Unless to spy my shadow in the sun
And descant on mine own deformity:
And therefore, since I cannot prove a lover,
To entertain these fair well-spoken days,
I am determined to prove a villain
And hate the idle pleasures of these days.
Plots have I laid, inductions dangerous,
By drunken prophecies, libels and dreams,
To set my brother Clarence and the king
In deadly hate the one against the other:
And if King Edward be as true and just
As I am subtle, false and treacherous,
This day should Clarence closely be mew'd up,
About a prophecy, which says that 'G'
Of Edward's heirs the murderer shall be.
Dive, thoughts, down to my soul: here
Clarence comes.
[Enter CLARENCE, guarded, and BRAKENBURY]
Brother, good day; what means this armed guard
That waits upon your grace?

12

Sonnet 113

Shakespeare

1570

Since I left you, mine eye is in my mind;
And that which governs me to go about
Doth part his function and is partly blind,
Seems seeing, but effectually is out;
For it no form delivers to the heart
Of bird of flower, or shape, which it doth latch:
Of his quick objects hath the mind no part,
Nor his own vision holds what it doth catch:
For if it see the rudest or gentlest sight,
The most sweet favour or deformed'st creature,
The mountain or the sea, the day or night,
The crow or dove, it shapes them to your feature:
Incapable of more, replete with you,
My most true mind thus makes mine eye untrue.

13

Twelfth Night
[III, 4]

Viola

1905

I know of none;
Nor know I you by voice or any feature:
I hate ingratitude more in a man
Than lying, vainness, babbling, drunkenness,
Or any taint of vice whose strong corruption
Inhabits our frail blood.

14

Twelfth Night
[III, 4]

Antonio

1919

But O how vile an idol proves this god
Thou hast, Sebastian, done good feature shame.
In nature there's no blemish but the mind;
None can be call'd deform'd but the unkind:
Virtue is beauty, but the beauteous evil
Are empty trunks o'erflourish'd by the devil.

15

Two Gentlemen of Verona
[II, 4]

Valentine

712

I know him as myself; for from our infancy
We have conversed and spent our hours together:
And though myself have been an idle truant,
Omitting the sweet benefit of time
To clothe mine age with angel-like perfection,
Yet hath Sir Proteus, for that's his name,
Made use and fair advantage of his days;
His years but young, but his experience old;
His head unmellow'd, but his judgment ripe;
And, in a word, for far behind his worth
Comes all the praises that I now bestow,
He is complete in feature and in mind
With all good grace to grace a gentleman.