# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Comedy of Errors
[II, 2]

Antipholus of Syracuse

549

Did you converse, sir, with this gentlewoman?
What is the course and drift of your compact?

2

Cymbeline
[V, 5]

(stage directions)

3512

[CYMBELINE and IMOGEN converse apart]

3

Hamlet
[II, 1]

Polonius

989

Marry, sir, here's my drift,
And I believe it is a fetch of warrant.
You laying these slight sullies on my son
As 'twere a thing a little soil'd i' th' working,
Mark you,
Your party in converse, him you would sound,
Having ever seen in the prenominate crimes
The youth you breathe of guilty, be assur'd
He closes with you in this consequence:
'Good sir,' or so, or 'friend,' or 'gentleman'-
According to the phrase or the addition
Of man and country-

4

Henry IV, Part I
[II, 4]

Henry V

1428

Swearest thou, ungracious boy? henceforth ne'er look
on me. Thou art violently carried away from grace:
there is a devil haunts thee in the likeness of an
old fat man; a tun of man is thy companion. Why
dost thou converse with that trunk of humours, that
bolting-hutch of beastliness, that swollen parcel
of dropsies, that huge bombard of sack, that stuffed
cloak-bag of guts, that roasted Manningtree ox with
the pudding in his belly, that reverend vice, that
grey iniquity, that father ruffian, that vanity in
years? Wherein is he good, but to taste sack and
drink it? wherein neat and cleanly, but to carve a
capon and eat it? wherein cunning, but in craft?
wherein crafty, but in villany? wherein villanous,
but in all things? wherein worthy, but in nothing?

5

Henry VI, Part I
[II, 1]

Lord Talbot/Earl of Shrewsbury

691

Well, let them practise and converse with spirits:
God is our fortress, in whose conquering name
Let us resolve to scale their flinty bulwarks.

6

Julius Caesar
[V, 1]

(stage directions)

2424

BRUTUS and LUCILIUS converse apart

7

King Lear
[I, 1]

(stage directions)

1

Enter Kent, Gloucester, and Edmund. [Kent and Gloucester converse. Edmund stands back.]

8

King Lear
[I, 4]

Earl of Kent

547

I do profess to be no less than I seem, to serve him truly
that will put me in trust, to love him that is honest, to
converse with him that is wise and says little, to fear
judgment, to fight when I cannot choose, and to eat no fish.

9

Love's Labour's Lost
[V, 1]

Sir Nathaniel

1735

I praise God for you, sir: your reasons at dinner
have been sharp and sententious; pleasant without
scurrility, witty without affection, audacious without
impudency, learned without opinion, and strange with-
out heresy. I did converse this quondam day with
a companion of the king's, who is intituled, nomi-
nated, or called, Don Adriano de Armado.

10

Love's Labour's Lost
[V, 2]

(stage directions)

2127

[They converse apart]

11

Love's Labour's Lost
[V, 2]

(stage directions)

2140

[They converse apart]

12

Love's Labour's Lost
[V, 2]

(stage directions)

2148

[They converse apart]

13

Love's Labour's Lost
[V, 2]

(stage directions)

2165

[They converse apart]

14

Love's Labour's Lost
[V, 2]

Princess of France

2670

Prepare, I say. I thank you, gracious lords,
For all your fair endeavors; and entreat,
Out of a new-sad soul, that you vouchsafe
In your rich wisdom to excuse or hide
The liberal opposition of our spirits,
If over-boldly we have borne ourselves
In the converse of breath: your gentleness
Was guilty of it. Farewell worthy lord!
A heavy heart bears not a nimble tongue:
Excuse me so, coming too short of thanks
For my great suit so easily obtain'd.

15

Love's Labour's Lost
[V, 2]

Rosaline

2784

Oft have I heard of you, my Lord Biron,
Before I saw you; and the world's large tongue
Proclaims you for a man replete with mocks,
Full of comparisons and wounding flouts,
Which you on all estates will execute
That lie within the mercy of your wit.
To weed this wormwood from your fruitful brain,
And therewithal to win me, if you please,
Without the which I am not to be won,
You shall this twelvemonth term from day to day
Visit the speechless sick and still converse
With groaning wretches; and your task shall be,
With all the fierce endeavor of your wit
To enforce the pained impotent to smile.

16

Merchant of Venice
[I, 2]

Portia

260

You know I say nothing to him, for he understands
not me, nor I him: he hath neither Latin, French,
nor Italian, and you will come into the court and
swear that I have a poor pennyworth in the English.
He is a proper man's picture, but, alas, who can
converse with a dumb-show? How oddly he is suited!
I think he bought his doublet in Italy, his round
hose in France, his bonnet in Germany and his
behavior every where.

17

Merchant of Venice
[III, 4]

Portia

1759

I never did repent for doing good,
Nor shall not now: for in companions
That do converse and waste the time together,
Whose souls do bear an equal yoke Of love,
There must be needs a like proportion
Of lineaments, of manners and of spirit;
Which makes me think that this Antonio,
Being the bosom lover of my lord,
Must needs be like my lord. If it be so,
How little is the cost I have bestow'd
In purchasing the semblance of my soul
From out the state of hellish misery!
This comes too near the praising of myself;
Therefore no more of it: hear other things.
Lorenzo, I commit into your hands
The husbandry and manage of my house
Until my lord's return: for mine own part,
I have toward heaven breathed a secret vow
To live in prayer and contemplation,
Only attended by Nerissa here,
Until her husband and my lord's return:
There is a monastery two miles off;
And there will we abide. I do desire you
Not to deny this imposition;
The which my love and some necessity
Now lays upon you.

18

Merry Wives of Windsor
[II, 1]

(stage directions)

767

[They converse apart]

19

Merry Wives of Windsor
[III, 4]

(stage directions)

1653

[They converse apart]

20

Othello
[III, 1]

Iago

1588

I'll send her to you presently;
And I'll devise a mean to draw the Moor
Out of the way, that your converse and business
May be more free.