# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Hamlet
[III, 2]

Hamlet

1935

Nay, do not think I flatter;
For what advancement may I hope from thee,
That no revenue hast but thy good spirits
To feed and clothe thee? Why should the poor be flatter'd?
No, let the candied tongue lick absurd pomp,
And crook the pregnant hinges of the knee
Where thrift may follow fawning. Dost thou hear?
Since my dear soul was mistress of her choice
And could of men distinguish, her election
Hath seal'd thee for herself. For thou hast been
As one, in suff'ring all, that suffers nothing;
A man that Fortune's buffets and rewards
Hast ta'en with equal thanks; and blest are those
Whose blood and judgment are so well commingled
That they are not a pipe for Fortune's finger
To sound what stop she please. Give me that man
That is not passion's slave, and I will wear him
In my heart's core, ay, in my heart of heart,
As I do thee. Something too much of this I
There is a play to-night before the King.
One scene of it comes near the circumstance,
Which I have told thee, of my father's death.
I prithee, when thou seest that act afoot,
Even with the very comment of thy soul
Observe my uncle. If his occulted guilt
Do not itself unkennel in one speech,
It is a damned ghost that we have seen,
And my imaginations are as foul
As Vulcan's stithy. Give him heedful note;
For I mine eyes will rivet to his face,
And after we will both our judgments join
In censure of his seeming.

2

Henry IV, Part I
[II, 3]

Hotspur (Henry Percy)

858

'But for mine own part, my lord, I could be well
contented to be there, in respect of the love I bear
your house.' He could be contented: why is he not,
then? In respect of the love he bears our house:
he shows in this, he loves his own barn better than
he loves our house. Let me see some more. 'The
purpose you undertake is dangerous;'—why, that's
certain: 'tis dangerous to take a cold, to sleep, to
drink; but I tell you, my lord fool, out of this
nettle, danger, we pluck this flower, safety. 'The
purpose you undertake is dangerous; the friends you
have named uncertain; the time itself unsorted; and
your whole plot too light for the counterpoise of so
great an opposition.' Say you so, say you so? I say
unto you again, you are a shallow cowardly hind, and
you lie. What a lack-brain is this! By the Lord,
our plot is a good plot as ever was laid; our
friends true and constant: a good plot, good
friends, and full of expectation; an excellent plot,
very good friends. What a frosty-spirited rogue is
this! Why, my lord of York commends the plot and the
general course of action. 'Zounds, an I were now by
this rascal, I could brain him with his lady's fan.
Is there not my father, my uncle and myself? lord
Edmund Mortimer, My lord of York and Owen Glendower?
is there not besides the Douglas? have I not all
their letters to meet me in arms by the ninth of the
next month? and are they not some of them set
forward already? What a pagan rascal is this! an
infidel! Ha! you shall see now in very sincerity
of fear and cold heart, will he to the king and lay
open all our proceedings. O, I could divide myself
and go to buffets, for moving such a dish of
skim milk with so honourable an action! Hang him!
let him tell the king: we are prepared. I will set
forward to-night.
[Enter LADY PERCY]
How now, Kate! I must leave you within these two hours.

3

King John
[II, 1]

Philip the Bastard

767

Here's a stay
That shakes the rotten carcass of old Death
Out of his rags! Here's a large mouth, indeed,
That spits forth death and mountains, rocks and seas,
Talks as familiarly of roaring lions
As maids of thirteen do of puppy-dogs!
What cannoneer begot this lusty blood?
He speaks plain cannon fire, and smoke and bounce;
He gives the bastinado with his tongue:
Our ears are cudgell'd; not a word of his
But buffets better than a fist of France:
Zounds! I was never so bethump'd with words
Since I first call'd my brother's father dad.

4

Macbeth
[III, 1]

Second Murderer

1124

I am one, my liege,
Whom the vile blows and buffets of the world
Have so incensed that I am reckless what
I do to spite the world.

5

Merry Wives of Windsor
[IV, 2]

Mistress Page

1987

Why, woman, your husband is in his old lunes again:
he so takes on yonder with my husband; so rails
against all married mankind; so curses all Eve's
daughters, of what complexion soever; and so buffets
himself on the forehead, crying, 'Peer out, peer
out!' that any madness I ever yet beheld seemed but
tameness, civility and patience, to this his
distemper he is in now: I am glad the fat knight is not here.