# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Taming of the Shrew
[I, 1]

Gremio

402

You may go to the devil's dam; your gifts are so good
here's none will hold you. There! Love is not so great,
Hortensio, but we may blow our nails together, and fast it fairly
out; our cake's dough on both sides. Farewell; yet, for the love
I bear my sweet Bianca, if I can by any means light on a fit man
to teach her that wherein she delights, I will wish him to her
father.

2

Taming of the Shrew
[II, 1]

Hortensio

992

Why, no; for she hath broke the lute to me.
I did but tell her she mistook her frets,
And bow'd her hand to teach her fingering,
When, with a most impatient devilish spirit,
'Frets, call you these?' quoth she 'I'll fume with them.'
And with that word she struck me on the head,
And through the instrument my pate made way;
And there I stood amazed for a while,
As on a pillory, looking through the lute,
While she did call me rascal fiddler
And twangling Jack, with twenty such vile terms,
As she had studied to misuse me so.

3

Taming of the Shrew
[III, 1]

Hortensio

1330

Madam, before you touch the instrument
To learn the order of my fingering,
I must begin with rudiments of art,
To teach you gamut in a briefer sort,
More pleasant, pithy, and effectual,
Than hath been taught by any of my trade;
And there it is in writing fairly drawn.