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More matter for a May morning.

      — Twelfth Night, Act III Scene 4

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1-3 of 3 total

KEYWORD: piteous

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Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

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The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

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1

Richard III
[I, 2]

Richard III (Duke of Gloucester)

336

I would they were, that I might die at once;
For now they kill me with a living death.
Those eyes of thine from mine have drawn salt tears,
Shamed their aspect with store of childish drops:
These eyes that never shed remorseful tear,
No, when my father York and Edward wept,
To hear the piteous moan that Rutland made
When black-faced Clifford shook his sword at him;
Nor when thy warlike father, like a child,
Told the sad story of my father's death,
And twenty times made pause to sob and weep,
That all the standers-by had wet their cheeks
Like trees bedash'd with rain: in that sad time
My manly eyes did scorn an humble tear;
And what these sorrows could not thence exhale,
Thy beauty hath, and made them blind with weeping.
I never sued to friend nor enemy;
My tongue could never learn sweet smoothing word;
But now thy beauty is proposed my fee,
My proud heart sues, and prompts my tongue to speak.
[She looks scornfully at him]
Teach not thy lips such scorn, for they were made
For kissing, lady, not for such contempt.
If thy revengeful heart cannot forgive,
Lo, here I lend thee this sharp-pointed sword;
Which if thou please to hide in this true bosom.
And let the soul forth that adoreth thee,
I lay it naked to the deadly stroke,
And humbly beg the death upon my knee.
[He lays his breast open: she offers at it with his sword]
Nay, do not pause; for I did kill King Henry,
But 'twas thy beauty that provoked me.
Nay, now dispatch; 'twas I that stabb'd young Edward,
But 'twas thy heavenly face that set me on.
[Here she lets fall the sword]
Take up the sword again, or take up me.

2

Richard III
[IV, 3]

Sir James Tyrrel

2727

The tyrannous and bloody deed is done.
The most arch of piteous massacre
That ever yet this land was guilty of.
Dighton and Forrest, whom I did suborn
To do this ruthless piece of butchery,
Although they were flesh'd villains, bloody dogs,
Melting with tenderness and kind compassion
Wept like two children in their deaths' sad stories.
'Lo, thus' quoth Dighton, 'lay those tender babes:'
'Thus, thus,' quoth Forrest, 'girdling one another
Within their innocent alabaster arms:
Their lips were four red roses on a stalk,
Which in their summer beauty kiss'd each other.
A book of prayers on their pillow lay;
Which once,' quoth Forrest, 'almost changed my mind;
But O! the devil'—there the villain stopp'd
Whilst Dighton thus told on: 'We smothered
The most replenished sweet work of nature,
That from the prime creation e'er she framed.'
Thus both are gone with conscience and remorse;
They could not speak; and so I left them both,
To bring this tidings to the bloody king.
And here he comes.
[Enter KING RICHARD III]
All hail, my sovereign liege!

3

Richard III
[IV, 4]

Queen Margaret

2856

Bear with me; I am hungry for revenge,
And now I cloy me with beholding it.
Thy Edward he is dead, that stabb'd my Edward:
Thy other Edward dead, to quit my Edward;
Young York he is but boot, because both they
Match not the high perfection of my loss:
Thy Clarence he is dead that kill'd my Edward;
And the beholders of this tragic play,
The adulterate Hastings, Rivers, Vaughan, Grey,
Untimely smother'd in their dusky graves.
Richard yet lives, hell's black intelligencer,
Only reserved their factor, to buy souls
And send them thither: but at hand, at hand,
Ensues his piteous and unpitied end:
Earth gapes, hell burns, fiends roar, saints pray.
To have him suddenly convey'd away.
Cancel his bond of life, dear God, I prey,
That I may live to say, The dog is dead!

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