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A young man married is a man that's marr'd.

      — All's Well that Ends Well, Act II Scene 3

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# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Much Ado about Nothing
[I, 1]

Messenger

19

I have already delivered him letters, and there
appears much joy in him; even so much that joy could
not show itself modest enough without a badge of
bitterness.

2

Much Ado about Nothing
[I, 2]

Antonio

308

As the event stamps them: but they have a good
cover; they show well outward. The prince and Count
Claudio, walking in a thick-pleached alley in mine
orchard, were thus much overheard by a man of mine:
the prince discovered to Claudio that he loved my
niece your daughter and meant to acknowledge it
this night in a dance: and if he found her
accordant, he meant to take the present time by the
top and instantly break with you of it.

3

Much Ado about Nothing
[I, 3]

Conrade

346

Yea, but you must not make the full show of this
till you may do it without controlment. You have of
late stood out against your brother, and he hath
ta'en you newly into his grace; where it is
impossible you should take true root but by the
fair weather that you make yourself: it is needful
that you frame the season for your own harvest.

4

Much Ado about Nothing
[II, 2]

Don John

770

Show me briefly how.

5

Much Ado about Nothing
[II, 3]

Don Pedro

996

He doth indeed show some sparks that are like wit.

6

Much Ado about Nothing
[III, 1]

Hero

1179

Why, every day, to-morrow. Come, go in:
I'll show thee some attires, and have thy counsel
Which is the best to furnish me to-morrow.

7

Much Ado about Nothing
[III, 2]

Don Pedro

1203

Nay, that would be as great a soil in the new gloss
of your marriage as to show a child his new coat
and forbid him to wear it. I will only be bold
with Benedick for his company; for, from the crown
of his head to the sole of his foot, he is all
mirth: he hath twice or thrice cut Cupid's
bow-string and the little hangman dare not shoot at
him; he hath a heart as sound as a bell and his
tongue is the clapper, for what his heart thinks his
tongue speaks.

8

Much Ado about Nothing
[III, 2]

Don John

1305

If you dare not trust that you see, confess not
that you know: if you will follow me, I will show
you enough; and when you have seen more and heard
more, proceed accordingly.

9

Much Ado about Nothing
[III, 2]

Don John

1314

I will disparage her no farther till you are my
witnesses: bear it coldly but till midnight, and
let the issue show itself.

10

Much Ado about Nothing
[III, 3]

Dogberry

1375

Truly, by your office, you may; but I think they
that touch pitch will be defiled: the most peaceable
way for you, if you do take a thief, is to let him
show himself what he is and steal out of your company.

11

Much Ado about Nothing
[IV, 1]

Claudio

1670

Sweet prince, you learn me noble thankfulness.
There, Leonato, take her back again:
Give not this rotten orange to your friend;
She's but the sign and semblance of her honour.
Behold how like a maid she blushes here!
O, what authority and show of truth
Can cunning sin cover itself withal!
Comes not that blood as modest evidence
To witness simple virtue? Would you not swear,
All you that see her, that she were a maid,
By these exterior shows? But she is none:
She knows the heat of a luxurious bed;
Her blush is guiltiness, not modesty.

12

Much Ado about Nothing
[IV, 1]

Friar Francis

1862

Marry, this well carried shall on her behalf
Change slander to remorse; that is some good:
But not for that dream I on this strange course,
But on this travail look for greater birth.
She dying, as it must so be maintain'd,
Upon the instant that she was accused,
Shall be lamented, pitied and excused
Of every hearer: for it so falls out
That what we have we prize not to the worth
Whiles we enjoy it, but being lack'd and lost,
Why, then we rack the value, then we find
The virtue that possession would not show us
Whiles it was ours. So will it fare with Claudio:
When he shall hear she died upon his words,
The idea of her life shall sweetly creep
Into his study of imagination,
And every lovely organ of her life
Shall come apparell'd in more precious habit,
More moving-delicate and full of life,
Into the eye and prospect of his soul,
Than when she lived indeed; then shall he mourn,
If ever love had interest in his liver,
And wish he had not so accused her,
No, though he thought his accusation true.
Let this be so, and doubt not but success
Will fashion the event in better shape
Than I can lay it down in likelihood.
But if all aim but this be levell'd false,
The supposition of the lady's death
Will quench the wonder of her infamy:
And if it sort not well, you may conceal her,
As best befits her wounded reputation,
In some reclusive and religious life,
Out of all eyes, tongues, minds and injuries.

13

Much Ado about Nothing
[IV, 1]

Benedick

1915

Is there any way to show such friendship?

14

Much Ado about Nothing
[IV, 2]

Sexton

2037

And this is more, masters, than you can deny.
Prince John is this morning secretly stolen away;
Hero was in this manner accused, in this very manner
refused, and upon the grief of this suddenly died.
Master constable, let these men be bound, and
brought to Leonato's: I will go before and show
him their examination.

15

Much Ado about Nothing
[V, 1]

Antonio

2168

Hold you content. What, man! I know them, yea,
And what they weigh, even to the utmost scruple,—
Scrambling, out-facing, fashion-monging boys,
That lie and cog and flout, deprave and slander,
Go anticly, show outward hideousness,
And speak off half a dozen dangerous words,
How they might hurt their enemies, if they durst;
And this is all.

16

Much Ado about Nothing
[V, 2]

Benedick

2429

And therefore will come.
[Exit MARGARET]
[Sings]
The god of love,
That sits above,
And knows me, and knows me,
How pitiful I deserve,—
I mean in singing; but in loving, Leander the good
swimmer, Troilus the first employer of panders, and
a whole bookful of these quondam carpet-mangers,
whose names yet run smoothly in the even road of a
blank verse, why, they were never so truly turned
over and over as my poor self in love. Marry, I
cannot show it in rhyme; I have tried: I can find
out no rhyme to 'lady' but 'baby,' an innocent
rhyme; for 'scorn,' 'horn,' a hard rhyme; for,
'school,' 'fool,' a babbling rhyme; very ominous
endings: no, I was not born under a rhyming planet,
nor I cannot woo in festival terms.
[Enter BEATRICE]
Sweet Beatrice, wouldst thou come when I called thee?

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