# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Love's Labour's Lost
[I, 2]

(stage directions)

482

[Exit]

2

Love's Labour's Lost
[II, 1]

Princess of France

520

All pride is willing pride, and yours is so.
[Exit BOYET]
Who are the votaries, my loving lords,
That are vow-fellows with this virtuous duke?

3

Love's Labour's Lost
[II, 1]

(stage directions)

671

[Exit]

4

Love's Labour's Lost
[II, 1]

(stage directions)

689

[Exit]

5

Love's Labour's Lost
[II, 1]

(stage directions)

702

[Exit LONGAVILLE]

6

Love's Labour's Lost
[II, 1]

(stage directions)

709

[Exit BIRON]

7

Love's Labour's Lost
[III, 1]

(stage directions)

827

[Exit]

8

Love's Labour's Lost
[III, 1]

(stage directions)

895

[Exit]

9

Love's Labour's Lost
[III, 1]

Costard

897

My sweet ounce of man's flesh! my incony Jew!
[Exit MOTH]
Now will I look to his remuneration. Remuneration!
O, that's the Latin word for three farthings: three
farthings—remuneration.—'What's the price of this
inkle?'—'One penny.'—'No, I'll give you a
remuneration:' why, it carries it. Remuneration!
why, it is a fairer name than French crown. I will
never buy and sell out of this word.

10

Love's Labour's Lost
[III, 1]

(stage directions)

936

[Exit]

11

Love's Labour's Lost
[III, 1]

(stage directions)

969

[Exit]

12

Love's Labour's Lost
[IV, 1]

(stage directions)

1140

[Exit COSTARD, running]

13

Love's Labour's Lost
[V, 1]

Holofernes

1859

Shall I have audience? he shall present Hercules in
minority: his enter and exit shall be strangling a
snake; and I will have an apology for that purpose.

14

Love's Labour's Lost
[V, 2]

(stage directions)

2064

[Exit MOTH]

15

Love's Labour's Lost
[V, 2]

(stage directions)

2232

[Exit]

16

Love's Labour's Lost
[V, 2]

(stage directions)

2442

[Exit]

17

Love's Labour's Lost
[V, 2]

(stage directions)

2466

[Exit]

18

Love's Labour's Lost
[V, 2]

Holofernes

2529

Great Hercules is presented by this imp,
Whose club kill'd Cerberus, that three-headed canis;
And when he was a babe, a child, a shrimp,
Thus did he strangle serpents in his manus.
Quoniam he seemeth in minority,
Ergo I come with this apology.
Keep some state in thy exit, and vanish.
[MOTH retires]
Judas I am,—