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Result number
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Work
The work is either a play, poem, or sonnet. The sonnets
are treated as single work with 154 parts.
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Character
Indicates who said the line. If it's a play or sonnet,
the character name is "Poet."
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Line
Shows where the line falls within the work.
The numbering is not keyed to any copyrighted numbering system found in a volume of
collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not
restart for each scene.
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Text
The line's full text, with keywords highlighted
within it, unless highlighting has been disabled by the user.
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1 |
King Lear
[II, 2] |
Earl of Gloucester |
1213 |
Let me beseech your Grace not to do so.
His fault is much, and the good King his master
Will check him for't. Your purpos'd low correction
Is such as basest and contemn'dest wretches
For pilf'rings and most common trespasses
Are punish'd with. The King must take it ill
That he, so slightly valued in his messenger,
Should have him thus restrain'd.
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2 |
King Lear
[II, 2] |
Earl of Kent |
1236 |
Good King, that must approve the common saw,
Thou out of heaven's benediction com'st
To the warm sun!
Approach, thou beacon to this under globe,
That by thy comfortable beams I may
Peruse this letter. Nothing almost sees miracles
But misery. I know 'tis from Cordelia,
Who hath most fortunately been inform'd
Of my obscured course- and [reads] 'shall find time
From this enormous state, seeking to give
Losses their remedies'- All weary and o'erwatch'd,
Take vantage, heavy eyes, not to behold
This shameful lodging.
Fortune, good night; smile once more, turn thy wheel.
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3 |
King Lear
[V, 3] |
Edmund |
3173 |
Sir, I thought it fit
To send the old and miserable King
To some retention and appointed guard;
Whose age has charms in it, whose title more,
To pluck the common bosom on his side
And turn our impress'd lances in our eyes
Which do command them. With him I sent the Queen,
My reason all the same; and they are ready
To-morrow, or at further space, t' appear
Where you shall hold your session. At this time
We sweat and bleed: the friend hath lost his friend;
And the best quarrels, in the heat, are curs'd
By those that feel their sharpness.
The question of Cordelia and her father
Requires a fitter place.
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