# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

King John
[I, 1]

Queen Elinor

91

He hath a trick of Coeur-de-lion's face;
The accent of his tongue affecteth him.
Do you not read some tokens of my son
In the large composition of this man?

2

King John
[I, 1]

Faulconbridge

105

And once dispatch'd him in an embassy
To Germany, there with the emperor
To treat of high affairs touching that time.
The advantage of his absence took the king
And in the mean time sojourn'd at my father's;
Where how he did prevail I shame to speak,
But truth is truth: large lengths of seas and shores
Between my father and my mother lay,
As I have heard my father speak himself,
When this same lusty gentleman was got.
Upon his death-bed he by will bequeath'd
His lands to me, and took it on his death
That this my mother's son was none of his;
And if he were, he came into the world
Full fourteen weeks before the course of time.
Then, good my liege, let me have what is mine,
My father's land, as was my father's will.

3

King John
[II, 1]

King Phillip

383

Peace be to England, if that war return
From France to England, there to live in peace.
England we love; and for that England's sake
With burden of our armour here we sweat.
This toil of ours should be a work of thine;
But thou from loving England art so far,
That thou hast under-wrought his lawful king
Cut off the sequence of posterity,
Out-faced infant state and done a rape
Upon the maiden virtue of the crown.
Look here upon thy brother Geffrey's face;
These eyes, these brows, were moulded out of his:
This little abstract doth contain that large
Which died in Geffrey, and the hand of time
Shall draw this brief into as huge a volume.
That Geffrey was thy elder brother born,
And this his son; England was Geffrey's right
And this is Geffrey's: in the name of God
How comes it then that thou art call'd a king,
When living blood doth in these temples beat,
Which owe the crown that thou o'ermasterest?

4

King John
[II, 1]

Philip the Bastard

767

Here's a stay
That shakes the rotten carcass of old Death
Out of his rags! Here's a large mouth, indeed,
That spits forth death and mountains, rocks and seas,
Talks as familiarly of roaring lions
As maids of thirteen do of puppy-dogs!
What cannoneer begot this lusty blood?
He speaks plain cannon fire, and smoke and bounce;
He gives the bastinado with his tongue:
Our ears are cudgell'd; not a word of his
But buffets better than a fist of France:
Zounds! I was never so bethump'd with words
Since I first call'd my brother's father dad.

5

King John
[II, 1]

Queen Elinor

780

Son, list to this conjunction, make this match;
Give with our niece a dowry large enough:
For by this knot thou shalt so surely tie
Thy now unsured assurance to the crown,
That yon green boy shall have no sun to ripe
The bloom that promiseth a mighty fruit.
I see a yielding in the looks of France;
Mark, how they whisper: urge them while their souls
Are capable of this ambition,
Lest zeal, now melted by the windy breath
Of soft petitions, pity and remorse,
Cool and congeal again to what it was.