# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VIII
[III, 1]

Queen Katharine

1620

Take thy lute, wench: my soul grows sad with troubles;
Sing, and disperse 'em, if thou canst: leave working.
[SONG]
Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Every thing that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or hearing, die.

2

Henry VIII
[III, 2]

Earl of Surrey

2180

Yes, that goodness
Of gleaning all the land's wealth into one,
Into your own hands, cardinal, by extortion;
The goodness of your intercepted packets
You writ to the pope against the king: your goodness,
Since you provoke me, shall be most notorious.
My Lord of Norfolk, as you are truly noble,
As you respect the common good, the state
Of our despised nobility, our issues,
Who, if he live, will scarce be gentlemen,
Produce the grand sum of his sins, the articles
Collected from his life. I'll startle you
Worse than the scaring bell, when the brown wench
Lay kissing in your arms, lord cardinal.

3

Henry VIII
[IV, 2]

Griffith

2645

She is asleep: good wench, let's sit down quiet,
For fear we wake her: softly, gentle Patience.
[The vision. Enter, solemnly tripping one after]
another, six personages, clad in white robes,
wearing on their heads garlands of bays, and golden
vizards on their faces; branches of bays or palm in
their hands. They first congee unto her, then
dance; and, at certain changes, the first two hold
a spare garland over her head; at which the other
four make reverent curtsies; then the two that held
the garland deliver the same to the other next two,
who observe the same order in their changes, and
holding the garland over her head: which done,
they deliver the same garland to the last two, who
likewise observe the same order: at which, as it
were by inspiration, she makes in her sleep signs
of rejoicing, and holdeth up her hands to heaven:
and so in their dancing vanish, carrying the
garland with them. The music continues]

4

Henry VIII
[IV, 2]

Griffith

2685

She is going, wench: pray, pray.

5

Henry VIII
[IV, 2]

Queen Katharine

2760

I thank you, honest lord. Remember me
In all humility unto his highness:
Say his long trouble now is passing
Out of this world; tell him, in death I bless'd him,
For so I will. Mine eyes grow dim. Farewell,
My lord. Griffith, farewell. Nay, Patience,
You must not leave me yet: I must to bed;
Call in more women. When I am dead, good wench,
Let me be used with honour: strew me over
With maiden flowers, that all the world may know
I was a chaste wife to my grave: embalm me,
Then lay me forth: although unqueen'd, yet like
A queen, and daughter to a king, inter me.
I can no more.