# Result number

Work The work is either a play, poem, or sonnet. The sonnets are treated as single work with 154 parts.

Character Indicates who said the line. If it's a play or sonnet, the character name is "Poet."

Line Shows where the line falls within the work.

The numbering is not keyed to any copyrighted numbering system found in a volume of collected works (Arden, Oxford, etc.) The numbering starts at the beginning of the work, and does not restart for each scene.

Text The line's full text, with keywords highlighted within it, unless highlighting has been disabled by the user.

1

Henry VIII
[I, 4]

(stage directions)

813

[Exeunt with trumpets]

2

Henry VIII
[II, 4]

(stage directions)

1333

[Trumpets, sennet, and cornets. Enter two Vergers,]
with short silver wands; next them, two Scribes, in
the habit of doctors; after them, CANTERBURY alone;
after him, LINCOLN, Ely, Rochester, and Saint
Asaph; next them, with some small distance, follows
a Gentleman bearing the purse, with the great seal,
and a cardinal's hat; then two Priests, bearing
each a silver cross; then a Gentleman-usher
bare-headed, accompanied with a Sergeant-at-arms
bearing a silver mace; then two Gentlemen bearing
two great silver pillars; after them, side by side,
CARDINAL WOLSEY and CARDINAL CAMPEIUS; two Noblemen
with the sword and mace. KING HENRY VIII takes
place under the cloth of state; CARDINAL WOLSEY and
CARDINAL CAMPEIUS sit under him as judges. QUEEN
KATHARINE takes place some distance from KING
HENRY VIII. The Bishops place themselves on each
side the court, in manner of a consistory; below
them, the Scribes. The Lords sit next the Bishops.
The rest of the Attendants stand in convenient
order about the stage]

3

Henry VIII
[IV, 1]

Second Gentleman

2417

Alas, good lady!
[Trumpets]
The trumpets sound: stand close, the queen is coming.
[Hautboys]
[THE ORDER OF THE CORONATION]
1. A lively flourish of Trumpets.
2. Then, two Judges.
3. Lord Chancellor, with the purse and mace
before him.
4. Choristers, singing.
[Music]
5. Mayor of London, bearing the mace. Then
Garter, in his coat of arms, and on his
head a gilt copper crown.
6. Marquess Dorset, bearing a sceptre of gold,
on his head a demi-coronal of gold. With
him, SURREY, bearing the rod of silver with
the dove, crowned with an earl's coronet.
Collars of SS.
7. SUFFOLK, in his robe of estate, his coronet
on his head, bearing a long white wand, as
high-steward. With him, NORFOLK, with the
rod of marshalship, a coronet on his head.
Collars of SS.
8. A canopy borne by four of the Cinque-ports;
under it, QUEEN ANNE in her robe; in her hair
richly adorned with pearl, crowned. On each
side her, the Bishops of London and
Winchester.
9. The old Duchess of Norfolk, in a coronal of
gold, wrought with flowers, bearing QUEEN
ANNE's train.
10. Certain Ladies or Countesses, with plain
circlets of gold without flowers.

4

Henry VIII
[IV, 1]

(stage directions)

2478

[Exit procession, and then a great flourish of trumpets]

5

Henry VIII
[V, 4]

Lord Chamberlain

3352

As I live,
If the king blame me for't, I'll lay ye all
By the heels, and suddenly; and on your heads
Clap round fines for neglect: ye are lazy knaves;
And here ye lie baiting of bombards, when
Ye should do service. Hark! the trumpets sound;
They're come already from the christening:
Go, break among the press, and find a way out
To let the troop pass fairly; or I'll find
A Marshalsea shall hold ye play these two months.

6

Henry VIII
[V, 5]

(stage directions)

3368

[Enter trumpets, sounding; then two Aldermen, Lord]
Mayor, Garter, CRANMER, NORFOLK with his marshal's
staff, SUFFOLK, two Noblemen bearing great
standing-bowls for the christening-gifts; then
four Noblemen bearing a canopy, under which the
Duchess of Norfolk, godmother, bearing the child
richly habited in a mantle, &c., train borne by a
Lady; then follows the Marchioness Dorset, the
other godmother, and Ladies. The troop pass once
about the stage, and Garter speaks]

7

Henry VIII
[V, 5]

Chorus

3464

'Tis ten to one this play can never please
All that are here: some come to take their ease,
And sleep an act or two; but those, we fear,
We have frighted with our trumpets; so, 'tis clear,
They'll say 'tis naught: others, to hear the city
Abused extremely, and to cry 'That's witty!'
Which we have not done neither: that, I fear,
All the expected good we're like to hear
For this play at this time, is only in
The merciful construction of good women;
For such a one we show'd 'em: if they smile,
And say 'twill do, I know, within a while
All the best men are ours; for 'tis ill hap,
If they hold when their ladies bid 'em clap.